Saturday, November 29, 2014

Women who mattered at the box office in 2014



They are still not paid on par with their male counterparts.However, women in Bollywood are certainly making their individual clout felt at the box office. This year has been particularly spectacular for Kangana Ranaut, who carried Vikas Bahl's Queen entirely on her dainty shoulders. As the ditched-at-the-altar youngster from New Delhi who meta morphoses into an independent woman, after her decision to go on a solo-honeymoon, Kangana shone brightly . She had displayed her acting chops in Fashion and Tanu Weds Manu, both of which were hits. However, with Queen, the accolades didn't stop pouring in for the longest time. What's more, the cash registers rang at an altogether different decibel level.
Next in line is Priyanka Chopra, who in her decadelong career, has shown tremendous gumption when it comes to choosing subjects.While Fashion gave her a display window for her histrionics, Omung Kumar's Mary Kom was easily the cherry on the cake. In this biopic based on India's most famous woman pugilist, MC Mary Kom, PC transcended physical attributes and made the North-Eastern boxer come alive on the big screen. The film found critical and commercial acclaim, and put Priyanka right where she belongs -on top of her game.
Farah Khan, known for her strong commercial film sense, may have got flak for the script of her Diwali release Happy New Year .However, the filmmaker, who has been a steady force at the box office, having enjoyed successes like Main Hoon Na and Om Shanti Om in the past, added to her brand equity when HNY crossed the `150-cr mark. She is the only woman director in the Big Club and that's no mean feat.Like they say , you can love her or hate her, but you cannot be indifferent to her.




I AM PROUD OF HAVING MADE IT ON MY OWN WITHOUT EITHER MY FATHER OR A GODFATHER


Manasvi Mamgai, 26, is simple, sensitive and sweet. She is also restless, adventurous and hyper. For her, everything needs to be perfect and she is susceptible to getting emotionally attached easily. She has not seen her father since the age of 16 and is proud to have made it without either her father or even a godfather, be it winning the Miss India title in 2010 or her first Prabhudheva film Action Jackson. Over a cup of coffee, she talks to Bombay Times about her difficult childhood, her love for her mother and why she is so scared of Prabhudheva.Excerpts: 
 
How did you become a Miss India?
I am a Garhwali with roots from Uttaranchal.I was born in Delhi, but brought up in Chandigarh. My dad was in the construction business and mother, a teacher. My parents always had trouble in their marriage, but they remained together till such time that I grew up. My mother has always been spiritual and was into Art of Living through which she knew Rhea Pillai. Rhea had once come to Chandigarh when I had passed out of Class XII, when she saw me and said, `You are tall and good looking. Why don't you try modelling?' She said, `Come to Mumbai. I will introduce you to a couple of people and let's see what they have to say about you.' So I came to Mumbai and she made me meet Atul Kasbekar and Reshma Shetty and a couple of other people. Fortunately , they said nice things and I decided to try modelling and moved to Delhi. I was just 16 then. Work started pouring in. I started earning and that's when my mother got the courage to leave my father and shift with me to Delhi. I always wanted to become a Miss India. I filled up the entry form, auditioned and through the normal process, won it in 2010. They always say that when you become Miss India, you go down in history , as every girl while growing up wants to be one. After becoming Miss India, I shifted to Mumbai. I continued walking for fashion weeks and kept meeting and auditioning for films, till Prabhudheva auditioned me for Action Jackson. Actually , my whole fascination with glamour started with dancing. I have learnt bharatnatyam, belly dancing and contemporary dance. I always wanted to dance and perform. Even when I thought about movies, I always dreamt of working with a Farah Khan or Remo Fernandes or Prabhudheva. I feel life has come a full circle and my wish has come through working with Prabhudheva in Action Jackson.

Talk about working with Prabhudheva?
When I met him for the first time, I had a fan moment.For people who dance, it's a big thing to just meet Prabhudheva. He is very sweet. While offering the role to me, he said, `Manasvi, the only difference between my other movies and this movie is your character.' He just said that one line and I was on.He is very fair. He will know what your potential is and basis that, he does justice to each one. He knows when you are working hard. He has two eyes in the front and two eyes at the back and is very alert and I am very scared of him.

What about Ajay Devgn?
Ajay is so classy and composed and both Prabhudheva and he don't talk.

Who do you love the most in the world?
Mom. She is the only one I have in the world. She is very shy , but is more ambitious about me than I am about myself. She was the one who pushed me to take part in Miss India. That was her dream. For me, it was about acting and dancing, but while she was growing up, she would read a lot of magazines and was very fascinated with models and glamour. She is also my biggest critic. But this time, for the first time, when I performed the Gangster Baby song at the song launch, she recorded it on her phone and since then, she must have seen it 300 times. She said, `Look how well you dance.' Ever since my parents separated, I have not been in touch with my father. And since the age of 16, I have taken care of my mother and myself. And there has never been a time honestly, when I have bowed down to anybody or taken a favour or support.
Everything I have done is on merit. She is proud of that. And I am very proud that I have done it on my own without any godfather.
And probably that is also the reason that I am always insecure and hyper about people favouring someone.

Which was your lowest period?
I was in depression for a year when I lost Miss World.Till then, whichever competition I had gone to in life, I had always won. always won.Miss World is something I really wanted. If you tell me to get flowers for you, I will spend one hour finding the best flowers for you. In Miss World, I can't even tell you how much hard work I put in. But after losing, for a year, I could not face the world and it was depressing. I lost faith in everything. I was angry with the world, with God, with everybody . Also, just post that, I went through a breakup in my relationship.I get easily attached, as I am a very emotional person. I felt life had ended.Fortunately , I was modelling and doing very well and slowly , I came to terms with it.

Are you in a relationship right now?
I have had a few affairs and all of them have been serious, as I put my heart into everything. When I like somebody, that person is everything for me. That is the way I am. Right now, I have no time. If I am in a relationship, then that becomes the centre of my universe and I can't afford that right now.
Your parents separated when you were 16. Isn't it unusual that you are not in touch with your father?
He has been a great father and I have many of his traits. I look like him and like him, I feel very close to nature. He was a genius, who was a bit crazy . For instance, he dropped out of second year of engineering from one of the top colleges only because he proved his teacher wrong against stuff written in textbooks. He was very inventive, but the problem was that even when a top corporate house would be looking for him desperately to solve a problem, and if he didn't feel like going, he would not. He was unpredictable, head strong and egoistic, but was very caring towards me. I remember if I had gone to a dance competition and came back home late, he would be up cooking food for me. He was protective about me and once, when I was about to meet with an accident, he almost mur dered the person who was responsible. But with my mother, there were a lot of issues and a lot of domestic violence at home. Right from when I was very small, they would fight. I wish my parents had sepa rated much before. At least I would not have seen all those things while growing up. I knew that despite being a good father, he had wronged my mother a lot and so, I decided to stay with her and cut off from him. He tried to be in touch with me always, but every time my father's name comes up, I cannot control my mother. She is very uncomfortable and still hates him. She doesn't want me to be in contact with him. Once, after winning Miss India, I was in contact with him. She came to know and she got very upset. I still love him, but I don't want to meet him as he is very unpredictable and may start harassing my mother again. As a child, the violence troubled me, but I was so young that there was not much that I could do. I was always with my mother, but did not have the voice at that time to do anything till I became 16.Dance helped me in a big way to escape that.

Do you have a dream?
I want to be remembered as a great actress, good human being and a person who is nice to work with. I also want to relax in my life and not stress out as much as I do.



Friday, November 28, 2014

Genre-defining sci-fi films that pushed the envelope


Sci-fi films are back in the spotlight again thanks to Christopher Nolan's latest, Interstellar. Nolan is a huge fan of Stanley Kubrick and his film has many references to Kubrick's own 2001: A Space Odyssey, which has been described as one of the best sci-fi films of all time and set a benchmark. Here are a few more sci-fi gems that we won't be forgetting any time soon... 


 2001: A SPACE ODYSSEY
What was special: Technical brilliance that was well ahead of its time.
Stanley Kubrick's vision in this film was both magnificient as well as genre-defining. Never before had such a film been attempted. And yet, the film was not about laser gun battles and space ships exploding but more of a philosophical kind that inspired as much discussion as the universe inspires wonder. There were obvious references to the inevitability of human evolution as well as the dangers of relying too much on technology . And so, Kubrick proved to be well ahead of his time.There was something different about his film -depth and passion. Perhaps that is why this film is considered essential for anyone with a casual or academic interest in film in general or science fiction in particular.


STAR WARS: THE EMPIRE STRIKES BACK
What was special: Creating a new ecosystem of fantasy alien worlds and characters.
This film managed to overcome `the curse of the sequel' which essentially is about the fact that sequels never manage to live up to the buzz or profitability that the first film made. There are plenty of such examples. But this one spawned a million memes in the present day -right from the opening scene despicting the Hoth battle to the famous dialogue between Darth Vader and Luke, where he tells Luke that he is his father, The Empire Strikes Back is simply unforgettable when it comes to sci-fi films.


PREDATOR
What was special: Arnold's brand of action blended with alien sci-fi thrills.
This is one of Arnold Schwarzenegger's best-known films and deserves mention as it blended sci-fi with Arnie's own brand of action. The sense of dread that the film evoked -that of the hunting party becoming the hunted -as well as the slashergore element made this one a big hit. The screenplay is tight, the script is economical, Arnie's quips are all in place and the final battle sequence between him and the alien makes for some gripping cinema.


THE ABYSS
What was special: The underwater special effects and aliens.
James Cameron again pushed the boundaries of cinema with the famous alien sequence that had a u d i e n c e s enthralled at the time. Seen today , it still elicits admiration and wonder. It was this `wow factor' as well as the drama that is played out when the crew are inside the oil rig that is deep underwater.The portrayal of the descent into the abyss in the submersible was also chilling.


E.T.
What was special: The alien was a good guy for a change.
E.T. managed to tread the fine line between sweetness and sweetness overload. We also see a very young Drew Barrymore in here in one of her early screen appeareances. screen appeareances.Utterly captivating and also unique, this was a sci-fi film that didn't treat aliens as some sort of entity that one should be terrified of. Here, we saw an alien that cured things and conquered with kindness, so to speak. The children in this film are not afraid of E.T. himself in the least; it is only the adults who are suspicious. This film was a massive hit and is essential viewing in Steven Spielberg's canon of films.



STAR WARS
Plenty of adjectives have been used to describe George Lucas's iconic and groundbreaking series of films. More accessible than Kubrick's magnum opus, the first one had crossover appeal with kids as well as adults. It presented alien worlds in a manner that had not been seen on screen ever before.While Odyssey made you pause and reflect, this one left you fascinated with its pure, unabashed fun. And it also managed to build a galaxy-spanning ecosystem of imaginary worlds.


ALIEN
What was special: The first sci-i film to have a female actor play such a badass role
The idea of a crew aboard a spaceship somewhere far out in the galaxy being stalked by a hideous monster isn't new. But the film made waves with the idea of a tough female lead (Ripley) brilliantly portrayed by Sigourney Weaver.


GRAVITY
What was special: Apart from the superb performances, the immersive effects.
Sandra Bullock won an Oscar for her role in this fantastic film the portrayed the cold, dark reality of space in a manner that had never been seen (or `experienced', rather) on screen before. The film is the closest you can come to being in space, while on planet Earth.


EVENT HORIZON
What was special: It very effectively combined horror with deep space sci-fi.
This one deserves mention as although it wasn't as much of a monster hit compared to the other movies in this list, it has in time grown in stature to become something of a cult favourite. And how can we forget the fact that Event Horizon melded sci-fi and horror so effectively (also it also was one of, if not the first sci-fi films to mention things like `Event Horizons') so as to give you a fortnight's worth of scares.

















Indian television explores unconventional relationships


It's not just liplocks that's making waves on the tube. TV shows are getting bolder by going beyond the man-woman relationship 
 
SAME-SEX RELATIONSHIPS Maryaada...Lekin Kab Tak? was the first show on Indian television to explore a gay relationship, with Dakssh Ajit Singh and Karan Singh portraying the role of a gay couple.TV show Pyar Tune Kya Kiya, too, had touched upon the subject.Now, Ayaz Ahmed is playing a homosexual in Kaisi Yeh Yaariyaan.



ROMANCING THE GHOULS
Pyaar Kii Ye Ek Kahaani and Fanaah, said to be inspired by The Twilight series and The Vampire Diaries respectively, showcased romance blossoming between a human and a vampire.

 
TRANSGENDER AND GIRL
In Ek Boond Ishq, Hunar Hali's character Nandini was shown getting married to a transgender played by Vishwajeet Pradhan. This was probably the second time an unsuspecting girl was shown getting married to a transgender on Indian television. Earlier, in Rakt Sambandh, Sandhya (Sriti Jha) had tied the knot with Yuvraj, who was later revealed to be a transgender.

 
INCEST
Laut Aao Trisha touches upon a lot of sensitive and controversial issues like incest, group sex and more.

 
MAY-SEPTEMBER RELATIONSHIP
TV show Webbed aired an episode revolving around a teacher who was involved in a physical relationship with her student. Television shows, which deal it easy with the subject of unconven tional relationships, don't have . There is always a chance of it backfiring. GECs are usually worried about the numbers and viewers' feedback. Vikas Gupta, programming head of a channel, says, “Not all broadcasters lap up such concepts. But thankfully , there are enough people who realise the importance of showing such relationships on the tube, especially since television is evolving and so is society .“
 
ART IMITATES LIFE
While these subjects may still hold shock value, they are actually a reflection of what is prevalent in society. As Nalini Negi, who plays the title role in Laut Aao Trisha that deals with incest and group sex, says, “Unconventional relationships exist in our society . I have heard of two cousins tying the knot in Hyderabad. What we portray on the show is reality and not a work of fiction.“
Adds Rishina Kandhari, who essayed the role of a homosexual in Yudh, “Fortunately , we have become progressive. Earlier too, there were just as many females or males who were attracted to the same sex, but they could never muster the courage to admit it due to social perceptions and stigmas.“

DEALING WITH THE SUBJECT SENSITIVELY
Vikas believes that one has to be extremely sensitive while broaching such issues, as it can have an adverse effect otherwise. “The first time is always a tough one, but it's a process.We need to tell these stories extremely sensitively. They need to blend in and not stand out. There is a huge moral responsibility when you attempt a topic like this. Fortunately, due to the internet and the cast's regular visits to dif ferent cities, the response is positive and fast,“ he says.
Dakssh Ajit Singh, who was the first actor to play a homosexual on Indian television in Maryaada... Lekin Kab Tak?, too feels that makers should not toy with serious subjects like same-sex relationships just for numbers and show them in poor light. “Many times, the creative team lacks clarity and the right vision while exploring such relationships. If you have taken up a cause, you should do full justice to it and not change it to grab more eyeballs.“

A POSITIVE DEVELOPMENT
There's no denying that showcasing such relationships is a bold move. But it can safely be said that it's a positive development. After all, television is one of the most powerful mediums and plays an important role in changing the perspective of the society .













PRIME TIME SHOWS' KISS & TELL MOMENTS



Following in the footsteps of their Bollywood coun terparts, small screen stars are shedding their inhibitions and indulging in lip locks in daily soaps.
Picture this: Of late, shows like Kaisi Yeh Yaariyan have seen smooches between Parth Samthan and Nity Taylor and Abhishek Malik and Veebha Anand. Season one of Fanaah saw Karan Kundra and Chetna Pande kissing. Harshita Gaur and Param Singh did the same twice in Sadda Haq -My Life My Choice in the last few months. Laut Aao Trisha saw a kiss between Nalini Negi and Karan Jotwani while Dil Dosti Dance had Shantanu Maheshwari and Vrushika Mehta get close. Producers and general entertainment channels are wanting to go that extra mile to grab audiences' attention.

Television actors, who've shot these scenes, are also cool about it. Harshita, however, says that while the audience has matured and started accepting certain bold scenes, TV as a medium is not as bold as movies. “So, one has to be careful and ensure the shots are filmed aesthetically ,“ she adds. Agrees Roopal Tyagi, who's done a kiss scene in Sapne Suhane Ladakpan Ke in the past, “Intimate scenes can add value to a couple's chemistry only if it is relevant to the storyline. One must not forget that families watch TV shows, so there can't be too many explicit scenes. Audiences connect with characters and their emotions and such scenes should happen only if they are absolutely required.“
Is it appropriate to broadcast liplocks considering Hindi TV soaps cater to families? Says producer Sudhir Sharma, “Hindi TV soaps have become bold in recent times. TV shows reflect what is happening in society and the audience has the remote at his disposal and can switch channels if the content gets too hot to handle. Having said that, producers should follow certain guidelines as families do watch TV together and no one should feel uncomfortable. Bollywood films can afford to have intimate scenes, but on TV , intimacy has to be shown relevantly . We can't randomly use such scenes to titillate audiences.“ Producer Rajan Shahi adds, “TV audiences are an evolved lot. As makers we need to follow certain guidelines, but in the age of social media, we can't act prudish! For me personally , an aesthetically shot love scene is a more positive influence than all the negativity shown in a saas bahu saga. And eventually it's up to the audience to choose what to watch.“







Wednesday, November 26, 2014

Designer Gaurav Gupta intersperses modern art with fashion at his new store


Experience `Paradigm Shift' as renowned couturier Gaurav Gupta celebrates the opening of his first store in Mumbai at Kala Ghoda, Fort. A favourite of the stars, Gaurav has been worn on the red carpet by the super-glamorous Hofit Golan at Cannes, Lady Victoria Hervey at the Golden Globes, and Bollywood favourites Deepika Padukone, Shraddha Kapoor and Kalki Koechlin. Fantasy has always remained the core of the stories that Gaurav narrates. His first store in Mumbai is a space that amalgamates fashion with magic realism and extreme fantasy . His stores have always been a strong representation of his vision for sculpted spaces and are born out of the duality of his collections for his pr├кt and couture lines.
On the occasion of the 10th anniversary of his brand, Delhi Art Gallery will also welcome Gaurav's Paradigm Shift, a special co-curated exhibit, from November 28 to December 2 (from 11 am to 7.30 pm, except Sunday) on art and fashion. His 10-year journey as a prominent voice in the field of fashion will be positioned against 100 years of images fashioned by India's leading masters that examine the mutability between these two genres. The exhibit will bring alive the iconic moments and journey of the brand and explore one of the least documented elements in the study of Indian modern art -the role of fashion.
As the celebrations come alive, Gaurav also unveils his first ever campaign with his muse Kalki. In his words, “Kalki is fantastical. She embodies mystery , womanhood and a childlike quality . She is a progressive artist in every way and that shows in the different expressions of her creativity -from theatre to philanthropy , cinema and fashion.“







SONAKSHI SHOWS OFF HER MOVES IN RADHA NACHEGI FROM TEVAR


Sonakshi Sinha has put on her dancing shoes once again for the newest song from Tevar , titled Music Bajega Loud Toh Radha Nachegi.Choreographed by Remo D'Souza, the song has the actress sporting an offwhite lehenga-choli as she matches steps with 100 dancers. Sonakshi was excited about the dance number and even rehearsed extensively to ensure that she gets the moves right. Says she, “I felt like a diva while shooting for the song. A lot of hard work went into its making and I hope people enjoy it as much as we enjoyed working on it.“
The song has been shot on a grand scale at Maheshwar Ghat in Indore. Since the Arjun Kapoor, Sonakshi and Manoj Bajpayee-starrer is partly based in Mathura, a set that replicated the beauty of the town was specially erected.
Producer Sanjay Kapoor says, “Radha has been shot in an opulent manner.With its larger-than-life set, it will remind you of the songs that used to be popular in the 80s, but at the same time, it has a contemporary twist.“ Adds producer Sunil Lulla, “SajidWajid have given us a beautiful composition and the choreography by Remo takes it a notch higher. I think this track will make its way to clubs and college campuses.“ The film is coproduced by Sunil Manchanda and Naresh Agarwal.
Tevar, produced by Eros International and Sanjay Kapoor Entertainment, releases January 9.

Tuesday, November 25, 2014

CHAK DE'S BALBIR IS LADY DAYA IN CID


Tough cop Daya (Dayanand Shetty), who's famous for breaking doors at the behest of ACP Pradyuman, will have company on CID. The show is all set to introduce a lady Daya in actress Tanya Abrol, who had featured in Chak De! India. “She will play Jaywanti, a cop as tough as Daya and will be part of the show for good. A die-hard Daya fan, she admires and looks up to him. She is talkative, inquisitive and will be seen wielding a hockey stick.“ 
 
ady Daya in actress Tanya Abrol

After 32 years of working out, I still don't have more than 6 packs



Akshay Kumar, 47, is by far the fittest man in the film industry. He leads an extremely disciplined life and is a fitness freak. Yet, after working out for the past 32 years, he admits that he still does not have more than 4-6 abs. And that is because he has never resorted to any shortcuts for building his body, as he believes in building a strong healthy, long-term body. While many stars flaunt their bodies and show off not just their 6, but even 8 and 10 packs now, for the very first time a fitness superstar breaks the myths behind building a body the wrong way . I would urge all young people, who believe in fitness, to read this story carefully. Excerpts from a conversation with Akshay, where he gives out his fitness mantra for the first time. 
I DON'T TAKE ENHANCERS, STEROIDS, POWDERS OR SHAKES
Today, it has become a joke to take enhancers, powders, shakes or steroids. What about those days when you used to have whole milk, vegetables, sweet potatoes and brown rice and eat meat if you were a non-vegetarian? The muscles used to build up and be there forever.When you eat these artificial enhancers, your muscles will die within a month of not exercising. What is the point? There are actors who I know who are writing their regime, basis how many pills and what protein shake to take.You cannot. I remember a lot of people in the earlier days would eat natural food and yet their body was solid. They would take a bath in chilled water, children could take a bath with cold water and nothing used to affect them.Their whole body temperature was so good.Their immune system was so good and they would die at 90-95, unless they met with an accident. Now it is not there. Get out of eating that processed food. Don't fall prey to American marketing. Whatever your mother makes at home is the best. I usually don't go to a gym unless I am travelling and I have to, and I see how you can sell anything to a bodybuilder. Tell him that you eat this hanky and teri body ban jayegi and he will have it.Nobody is thinking. There is no science.

I DON'T EAT AFTER 6.30-7 PM IN THE EVENING
The important thing is, control your diet and food. 6.30-7 pm should be your last meal of the day . I am a Punjabi and love sweets, but after my evening meal, I don't touch sweets. Your body gets used to it. It's also written in our shastras that we should not be eating at night.And there is a scientific reason for it. We need 3-4 hours to digest what we eat. So if we eat late at night, all your body parts go to sleep, except for your stomach, that needs to keep working to digest the food that you have eaten. As a result, while your body gets rest, your poor stomach does not get as much rest as when you get up, you again need to eat. And we all know that all our problems start from our stomach. You need to ideally eat by 7pm, so that you have given the body four hours to digest so that the stomach gets complete time to rest along with the body when you sleep. Even if you can't exercise, walk everyday and eat by 7 pm and see how it will change your life. If you feel hungry after 7 pm, eat an egg white scrambled or omelette or carrot or soup as that is easier to digest. If I have to go out for dinner, I eat only proteins, no carbs. It may sound stupid, but being a Punjabi, I have a sweet tooth so after I eat my food, I quickly go and brush. One, it is a good habit but more importantly , that little bit of sweet toothpaste gives me that little satisfaction of feeling that I have had a sweet at night.

THERE ARE NO SHORT CUTS TO BUILDING YOUR BODY
Despite practising all my life for 32 years, I still don't have more than 6 pack abs. You need to be patient, you need to experience your muscle growth. Now they just want to pump up their muscles in three months. That cannot be done without resorting to many artificial and harmful things. If your forearms are growing, experience it grow slowly, slowly, slowly . How can your body come up like a balloon in three months? I am happy that I never got tempted, as I know it is unreal. Honestly, I don't even take allopathy, not that it is bad. I prefer to take herbs or ayurvedic. I take what my mother gives me, be it haldi with milk or gargle with hot water if I have a bad throat or eat gud if I am going into a dusty terrain. When you resort to artificial means to pump up, your hormones change, you become hot-tempered, you lose your mental balance and it will also reduce your semen power, so your sex life will go for a toss.

PICK UP YOUR OWN BODY WEIGHT OVER WEIGHTS IN THE GYM
I don't pick up weights at all. At the same time, picking up weights is not bad. It is good, but I have always believed in picking up my own body weight. I believe in picking up myself, in swinging and climbing trees, just as we did when we were children. However, people who believe in body building, it is not bad, but don't eat powders and shakes. Also, be careful of what kind of weight and how much weight you are picking up, so that it does not harm your back. You need a proper instructor to guide you. Don't mess with God's created body.

TAKE A PROTEIN BAR OR SHAKE ONLY UNDER EMERGENCY WHEN YOU DON'T HAVE ACCESS TO NATURAL PROTEIN
Everybody requires a certain amount of protein. For instance, I am 80 kilos and require 80 grams of protein. One egg can give me only 3 grams of protein. So I have to eat 10-15 eggs and chicken and other foods to consume the protein I need. I eat every three hours and I try and consume, but sometimes I don't succeed.And while I do not ever take a protein shake, if sometimes you have to take a protein bar or shake, take it, but only once in a while, not everyday . And that too, only when you actually cannot find something natural. Don't make it a habit. Don't go for shortcuts. Don't be lazy.

I DON'T EAT THINGS MADE IN A LAB
Eat brown rice. It is so good for muscles as it is good carb. Eat walnuts, cranberries, almond, milk, meat. Avoid processed foods. I eat anything that is produced on earth.

IF YOU SMOKE, YOU CANNOT BUILD YOUR BODY
If you smoke, your lungs go for a toss. What do you require in a workout? You require stamina. And if you smoke, you will not have stamina as well as you destroy your lungs forever. I get shocked when I see bodybuilders who are smokers. It tells me what a shortcut body they have made and how they have made it. I have never smoked in my life.

TO BUILD 8 PACK ABS, I WOULD NEED TO LEAVE WORK FOR THREE YEARS AND DO JUST THAT, OTHERWISE IT IS NOT POSSIBLE
If I need to build 8 packs, I will need to leave my job and concentrate on only building my body and work out for four hours everyday for three years and controlling my diet, otherwise it is not possible. If you have 8 packs any other way , it means that you have taken shit in your body , be it through supplements, muscle enhancers, recovery shakes or growth hormone shots. It means that you have become bigger, stronger, faster in the most harmful way imaginable. I repeat, it is going to harm a lot of people. I hope people read this, trust it and go the natural way .I have never had more than 6 packs. I don't get them. I know training is hard, muscles hurt and goals take longer to reach, but when you are training naturally that is the best way . You have to understand that. What people are doing is cheating and getting you sucked into a multi-billion dollar franchise where they are teaching you how to build a fake body . I have friends and people in my industry , who are going crazy and people following them, as it is the easy way out.But there is no substitute for hard work. Watch the `Lazar Novovic Dear Hard Work' video on YouTube to see the principle Akshay Kumar has followed all his life.Talking about Lazar, Akshay says, “He only picks up his own body weight. You will see that after doing so much, he has just 6 abs and not more. I challenge anyone who has 8 packs with steroids, to do what Lazar is doing in this video.“



Sunday, November 23, 2014

Big B visits granddaughter Aaradhya's preschool


Doting grandfather Amitabh Bachchan recently took time off from his busy schedule to participate in the Grandparents' Day celebrations held at his granddaughter Aaradhya's preschool, the Kookaburra Learning Center. Also present were Aishwarya Rai Bachchan and Abhishek Bachchan and Aishwarya's parents, Brinda Rai and Krishnaraj Rai. The Bachchan family enjoyed the session, which also involved a video on Aaradhya's activity at school. Grandparents from a cross-section of society attended the celebration and spoke about the centre's unique educational methodology. The learning centre's distinct approach helps actualise every child's potential and facilitates their all-round growth. Founder-director of Kookaburra, Tejal Mehta's passion for teaching, humane vision and unbound love for children is what made her open the centre. The curriculum is designed in such a way that it enhances the brain development of a child at a very nascent stage. The school also holds counseling sessions for parents, to hone their parenting skills.
Aaradhya Bachchan family

Aaradhya Bachchan family




Can you be the next Miss India?


The country's oldest and most credible beauty pageant fbb Femina Miss India is back to give young, gorgeous girls the opportunity of a lifetime to change their destiny. In its 52nd year, the pageant is expected to be grander than ever with 19 city auditions across the country. The selection will be divided into the city auditions, regional auditions and city pageants. City auditions will be held across 13 cities with Dehradun, Jaipur, Lucknow, Shimla in the North zone; Guwahati and Bhubaneshwar in the East zone; Ahmedabad, Goa, Nagpur, Indore, Bhopal in the West zone; Hyderabad and Chennai in the South zone.Regional auditions will be held in Chandigarh, Bangalore and Pune, and will culminate in two city pageants at Delhi and Kolkata before the final auditions in Mumbai. The finalists will then undergo vigorous training before the grand finale in March.
 
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With a dynamic, holistic and rigorous training programme for the contestants, the pageant also provides the winners a chance to win gratification that runs into crores, along with fame that transcends everything else. Over the years, fbb Femina Miss India has changed the lives of beauties like Aishwarya Rai and Priyanka Chopra, and has brought fame to the country with 39 international titles to date.

This year, the Miss India Organization has also taken a pledge towards a cleaner India by volunteering for the `Swachh Bharat Mission'. MIO firmly believes that this movement will make India a cleaner, greener country. So, gear up to be a part of this glamorous and sensational event as fbb Femina Miss India 2015 comes soon to your city to select the next beauty queen.

Apply on http://www.missindia.in and send in your profiles and pictures to missindiaorganization@gmail.com
Jhatlekha Malhotra, Koyal Rana, Gail Da'Silva - Miss India Contest

Saturday, November 22, 2014




rasiya



рд░ंрдЧрд░рд╕िрдпा
рдХрд▓ाрдХाрд░ : рд░рдгрджीрдк рд╣ुрдбा, рдиंрджрдиा рд╕ेрди, рдлेрд░ेрдиा рд╡рдЬीрд░, рдкрд░ेрд╢ рд░ाрд╡рд▓, рд╡िрдХ्рд░рдо рдЧोрдЦрд▓े, рджрд░्рд╢рди рдЬрд░ीрд╡ाрд▓ा, рдЧौрд░рд╡ рдж्рд╡िрд╡ेрджी, рд╡िрдкीрди рд╢рд░्рдоा, рд╕ुрд╣ाрд╕िрдиी рдоुрд│्рдпे, рдЖрд╢िрд╖ рд╡िрдж्рдпाрд░्рдеी рдЗрдд्рдпाрджी
рдиिрд░्рдоाрддा : рджीрдкा рд╕ाрд╣ी рд╡ рдЖрдиंрдж рдорд╣ेंрдж्рд░ू
рджिрдЧ्рджрд░्рд╢рдХ : рдХेрддрди рдоेрд╣рддा
  • Star Cast

  • Randeep Hooda.... Raja Ravi Varma
  • Nandana Sen.... Sugandha
  • Paresh Rawal.... Govardhan Das
  • Aashish Vidyarthi.... Guest Appearance
  • Sachin Khedekar.... Guest Appearance
  • Darshan Jariwala
  • Jim Boeven.... Fritz
  • Prashant Narayanan.... Guest Appearance
  • Rajat Kapoor.... Guest Appearance
  • Vikram Gokhale.... Lawyer
  • Suhasini Mulay
  • Tom Alter
  • Vipin Sharma
  • Chirag Vohra.... Phalke
  • Rashaana Shah.... Kamini
  • Gaurav Dwivedi.... Raj Varma
  • Ferena Wazeir.... Frenny
  • Tripta Parashar.... Poorutarthy
  • Sameer Dharmadhikari.... Sayaji Rao Gaek­wad
  • Sri Vallabh Vyas.... Raj Varma
  • Yashvardhan Kumar.... Young Ravi Varma
рдХрд▓ाрдХाрд░ рдоूрд▓рддः рдордирд╕्рд╡ी рдЕрд╕рддो, рдХрд▓ेрдЪा рд╡ेрдбा рдЕрд╕рддो, рдЕрд╕ं рдо्рд╣рдгрддाрдд. рдд्рдпाрдЪं рд╣े рдкाрд░рд▓ौрдХिрдХ рдЬрдЧрдгं рдордиाрдЪ्рдпा рдПрдХा рдкाрддрд│ीрд╡рд░ рд╕ुрд░ू рдЕрд╕рддं. рдд्рдпाрдЪ рд╡ेрд│ी рд╢ाрд░ीрд░ рдкाрддрд│ीрд╡рд░ рддो рдПрдХ рд╕рд░्рд╡рд╕ाрдоाрди्рдп рдоाрдгूрд╕ рдЕрд╕рддो. рдпा рдоाрдгूрд╕рдкрдгाрдЪे рд╕ाрд░े рднोрдЧ рдд्рдпाрд▓ा рднोрдЧाрд╡ेрдЪ рд▓ाрдЧрддाрдд. рдк्рд░рдд्рдпेрдХ рдХрд▓ाрдХाрд░ाрдЪ्рдпा рдЖрдпुрд╖्рдпाрдд рд╣े рдж्рд╡ंрдж्рд╡ рдЕрдЯрд│ рдЕрд╕рддं. рдЖрдкрд▓्рдпाрддрд▓्рдпा рд╕ाрдоाрди्рдп рдоाрдгрд╕ाрд╡рд░ рдоाрдд рдХрд░ूрди рдПрдЦाрджा рдХрд▓ाрдХाрд░ рдЖрдкрд▓ी рдоाрдирд╕ рдкाрддрд│ीрд╡рд░рдЪी рдХрд▓ा рдРрд╣िрдХ рдкाрддрд│ीрд╡рд░ рдЖрдгू рд╢рдХрддो рдЖрдгि рдЗрддрд░ рд╕рд░्рд╡рд╕ाрдоाрди्рдп рдЬрдиांрдиा рддिрдЪं рдЪрдХिрдд рдХрд░рдгाрд░ं рджрд░्рд╢рди рдШрдбрд╡ू рд╢рдХрддो, рддेрд╡्рд╣ा рддो рдХрд▓ाрдХाрд░ рдЖрдгि рдд्рдпाрдЪी рдХрд▓ा рдЕрдорд░рдд्рд╡ाрд▓ा рдкोрдЪрддे, рдЕрд╕ं рдо्рд╣рдгрддा рдпेрдИрд▓. рдЖрдзुрдиिрдХ рднाрд░рддाрддрд▓े (рдСрд░्рдЧ्рдпुрдПрдмрд▓ी) рд╕рд░्рд╡рд╢्рд░ेрд╖्рда рдЪिрдд्рд░рдХाрд░ рд░ाрдЬा рд░рд╡िрд╡рд░्рдоा рдпांрдЪं рдЬीрд╡рди рд╣े рдпाрдЪं рдЙрдд्рддрдо рдЙрджाрд╣рд░рдг рдЖрд╣े. рд╡िрдЦ्рдпाрдд рдХाрджंрдмрд░ीрдХाрд░ рд░рдгрдЬिрдд рджेрд╕ाрдИ рдпांрдЪ्рдпा 'рд░ाрдЬा рд░рд╡िрд╡рд░्рдоा' рдпा рдХाрджंрдмрд░ीрд╡рд░ рдЖрдзाрд░िрдд рдХेрддрди рдоेрд╣рддा рджिрдЧ्рджрд░्рд╢िрдд рд░ंрдЧрд░рд╕िрдпा рд╣ा рдирд╡ा рд╣िंрджी рдЪिрдд्рд░рдкрдЯ рд░рд╡िрд╡рд░्рдоा рдпांрдЪा рдпा рджोрди्рд╣ी рдкाрддрд│्рдпांрд╡рд░ рд╢ोрдз рдШेрдг्рдпाрдЪा рдк्рд░рдпрдд्рди рдХрд░рддो. рдЖрдгि рдХेрддрди рдоेрд╣рддांрд╕ाрд░рдЦा рдиाрдорд╡ंрдд рджिрдЧ्рджрд░्рд╢рдХ рдЕрд╕рд▓्рдпाрдиं рд╣ा рдк्рд░рдпрдд्рди рдмрд▒्рдпाрдЪ рдЕंрд╢ी рдпрд╢рд╕्рд╡ी рдЭाрд▓ाрдп. рдпाрддрд▓ा 'рдоाрдгूрд╕ рд░рд╡िрд╡рд░्рдоा' рд╣ा рд╕्рдеूрд▓ рдкाрддрд│ीрд╡рд░ рдЖрдгि 'рдХрд▓ाрдХाрд░ рд░рд╡िрд╡рд░्рдоा' рд╣ा рд╕ूрдХ्рд╖्рдо (рд╕рдм्-рдЯрд▓) рдкाрддрд│ीрд╡рд░ рд╕рдоोрд░ рдпेрддो. рд╣े рд╕рдордЬूрди рдШेрддा рдЖрд▓ं рддрд░ рдпा рдХрд▓ाрдХृрддीрдЪा рдЖрдиंрдж рдЬाрд╕्рдд рдЪांрдЧрд▓्рдпा рдкрдж्рдзрддीрдиं рдШेрддा рдпेрдИрд▓.

рдоी рд░рдгрдЬिрдд рджेрд╕ाрдИंрдЪी рдХाрджंрдмрд░ी рд╡ाрдЪрд▓ेрд▓ी рдиाрд╣ी. рдд्рдпाрдоुрд│ं рдЗрдеं рджोрд╣ोंрдЪी рддुрд▓рдиा рди рдХрд░рддा, рдлрдХ्рдд рд╕िрдиेрдоाрд╡рд░рдЪ рдмोрд▓ू. (рдпा рдЪिрдд्рд░рдкрдЯाрддीрд▓ рд╡्рдпрдХ्рддिрд░ेрдЦांрдЪा рд╡ाрд╕्рддрд╡ाрддीрд▓ рдХोрдгрдд्рдпाрд╣ी рд╡्рдпрдХ्рддींрд╢ी рд╕ंрдмंрдз рдиाрд╣ी, рд╣े рд╕ुрд░ुрд╡ाрддीрдЪं рдбिрдХ्рд▓рдЕрд░ेрд╢рди рд╕ूрдЪрдХ рдЖрд╣े.) рдПрдХोрдгिрд╕ाрд╡्рдпा рд╢рддрдХाрдЪ्рдпा рдЕрдЦेрд░ीрд╕ рдЖрдгि рд╡िрд╕ाрд╡्рдпा рд╢рддрдХाрдЪ्рдпा рдк्рд░ाрд░ंрднी рднाрд░рддाрдд рдЬрд╡рд│рдкाрд╕ рдк्рд░рдд्рдпेрдХ рдШрд░ाрдд рд░рд╡िрд╡рд░्рдоा рдпांрдиी рдЪिрддाрд░рд▓ेрд▓्рдпा рджेрд╡рджेрд╡рддांрдЪी рдЪिрдд्рд░ं рдкोрдЪрд▓ी рд╣ोрддी. рд╕рд░्рд╡ाрдзिрдХ рд╕рд░्рд╡рд╕ाрдоाрди्рдп рдоाрдгрд╕ांрдкрд░्рдпंрдд рдкोрдЪрд▓ेрд▓ा рд╣ा рд╕рд░्рд╡ांрдд рд▓ोрдХрдк्рд░िрдп рдЪिрдд्рд░рдХाрд░ рд╣ोрддा. рд╕рд░्рд╡ांрдд рдорд╣рдд्рдд्рд╡ाрдЪं рдо्рд╣рдгрдЬे рдЖрдзुрдиिрдХ рднाрд░рддाрдд, рдХрд▓ेрдЪ्рдпा рдк्рд░ांрддाрдд рд╕्рд╡рдпंрдШोрд╖िрдд рд╕ंрд╕्рдХृрддिрд░рдХ्рд╖рдХांрдЪी рд░ाрд│ рдЭेрд▓ाрд╡ी рд▓ाрдЧрд▓ी рддी рд░рд╡िрд╡рд░्рдоांрдиा рдЖрдгि рдХрд▓ाрдХाрд░ाрдЪ्рдпा рдЕрднिрд╡्рдпрдХ्рддी рд╕्рд╡ाрддंрдд्рд░्рдпाрдЪी рдаाрдо рдмाрдЬू рдШेрдгाрд░े рдкрд╣िрд▓े рдХрд▓ाрдХाрд░рд╣ी рд░рд╡िрд╡рд░्рдоाрдЪ. рдд्рдпांрдЪं рд╣े рдпोрдЧрджाрди рдЖрдзुрдиिрдХ рднाрд░рддाрдЪ्рдпा рдХрд▓ा рдХ्рд╖ेрдд्рд░ाрд╕ाрдаी рдХेрд╡рд│ рдЕрддुрд▓рдиीрдп рдЕрд╕ंрдЪ рдЖрд╣े. рдХेрд░рд│рдордзीрд▓ рдд्рд░ाрд╡рдгрдХोрд░ рд╕ंрд╕्рдеाрдиाрддीрд▓ рдХिрд▓िрдоाрдиूрд░ рдпा рд▓рд╣ाрди рдЧाрд╡ी рд╡ाрдврд▓ेрд▓ा, рдЬрди्рдорддःрдЪ рд░ंрдЧрд░ेрд╖ांрдЪी рд╡िрд▓рдХ्рд╖рдг рдЬाрдг рдЕрд╕рд▓ेрд▓ा рд╣ा рд░рд╡िрд╡рд░्рдоा рддेрдеीрд▓ рдХрд▓ाрдк्рд░ेрдоी рд░ाрдЬाрдЪ्рдпा рдЙрджाрд░ рдЖрд╢्рд░рдпाрдоुрд│ं рдЖрдкрд▓ी рдХрд▓ा рдЪांрдЧрд▓्рдпा рдкрдж्рдзрддीрдиं рдЬोрдкाрд╕ू рд╢рдХрд▓ा. рдпाрдЪ рд░ाрдЬाрдиं рд░рд╡िрд╡рд░्рдоांрдиा рд░ाрдЬा рд╣ा рдХिрддाрдм рдмрд╣ाрд▓ рдХेрд▓ा. рдоाрдд्рд░, рдд्рдпा рд░ाрдЬाрдЪ्рдпा рдиिрдзрдиाрдиंрддрд░ рд░ाрдЬाрдЪ्рдпा рднाрд╡ाрд▓ा рд░рд╡िрд╡рд░्рдоाрд╡िрд╖рдпी рдЕрд╕рд▓ेрд▓्рдпा рдж्рд╡ेрд╖ाрдоुрд│ं рдд्рдпाрд▓ा рд╕ंрд╕्рдеाрди рд╕ोрдбाрд╡ं рд▓ाрдЧрд▓ं. рд░рд╡िрд╡рд░्рдоा рдЖрдкрд▓्рдпा рднाрд╡ाрд╕рд╣ рдоुंрдмрдИрдд рдЖрд▓े. рдмрдбोрджा рд╕ंрд╕्рдеाрдирдЪे рдорд╣ाрд░ाрдЬे рд╕рдпाрдЬीрд░ाрд╡ рдЧाрдпрдХрд╡ाрдб рдпांрдЪ्рдпाрдоुрд│ं рд░рд╡िрд╡рд░्рдоांрдиा рдоुंрдмрдИрдд рдмрд╕्рддाрди рдмрд╕рд╡рддा рдЖрд▓ं. рдд्рдпांрдЪ्рдпाрдоुрд│ंрдЪ рджेрд╢рднрд░ рдлिрд░ूрди рдпा рдорд╣ाрди рджेрд╢ाрдд рдШрдбूрди рдЧेрд▓ेрд▓्рдпा рдЕрдиेрдХ рд▓ोрдХрдХрдеा, рд╕ंрд╕्рдХृрддी-рдкрд░ंрдкрд░ा, рдорд╣ाрдХाрд╡्рдпांрдЪा рдЕрдн्рдпाрд╕ рдХрд░рддा рдЖрд▓ा. рдд्рдпाрддूрдирдЪ рдкौрд░ाрдгिрдХ рдЪिрдд्рд░ं рдХाрдврдг्рдпाрдЪी рдк्рд░ेрд░рдгा рдд्рдпांрдиा рдоिрд│ाрд▓ी. рд░рд╡िрд╡рд░्рдоा рдпांрдЪ्рдпा рдЖрдпुрд╖्рдпाрдд рдЖрд▓ेрд▓्рдпा рд╕्рдд्рд░िрдпा рдЖрдгि рдд्рдпांрдЪे рднाрд╡ोрдд्рдХрдЯ рд╕ंрдмंрдз рд╣ाрд╣ी рдПрдХ рдиिрд░ाрд│ा рдкैрд▓ू рдЖрд╣े. рд╡्рдпाрд╡рд╣ाрд░िрдХ рдЬрдЧाрдд рдд्рдпांрдЪी рд╣ोрдгाрд░ी рдлрд░рдлрдЯ, рддрдеाрдХрдеिрдд рд╕ंрд╕्рдХрддिрд░рдХ्рд╖рдХांрдХрдбूрди рд╣ोрдгाрд░ी рдЕрд╡рд╣ेрд▓рдиा, рдоाрдирд╣ाрдиी, рдХोрд░्рдЯрдХрдЬ्рдЬे рд╣े рд╕рдЧрд│े рднोрдЧ рд░рд╡िрд╡рд░्рдоांрдиी рднोрдЧрд▓े. рд╢ेрд╡рдЯी рджेрд╣ рдЧेрд▓ा, рдкрдг рд╕рд░्рд╡рд╕ाрдоाрди्рдп рдоाрдгрд╕ाрдЪ्рдпा рдШрд░ाрдд рд╡िрд░ाрдЬрдоाрди рдЭाрд▓ेрд▓ी рдЕрдм्рдЬाрд╡рдзी рджेрд╡рддांрдЪी рдЪिрдд्рд░ांрдЪ्рдпा рд░ूрдкाрдиं рддे рдЕрдЬрд░ाрдорд░ рдЭाрд▓े.

рдХрд▓ाрдХाрд░ाрдЪं рд╣े рдЕрд╕्рд╡рд╕्рде, рдкрдг рдЪैрддрди्рдпрдордп рдЬрдЧрдгं рдПрдХ рдХрд▓ाрдХाрд░рдЪ рдЪिрддाрд░ू рд╢рдХрддो. рдХेрддрди рдоेрд╣рддांрдХрдбं рддी рджृрд╖्рдЯी рдЖрд╣े. рдд्рдпाрдоुрд│ं рдд्рдпांрдиी рд╣े рдЖрд╡्рд╣ाрди рдЙрдд्рддрдо рд░ीрддीрдиं рдкेрд▓рд▓ं рдЖрд╣े. рдпा рд╕िрдиेрдоाрдЪं рдк्рд░ॉрдбрдХ्рд╢рди рдбिрдЭाрдЗрди, рдХрд▓ा рджिрдЧ्рджрд░्рд╢рди рдЕрдк्рд░рддिрдо рдЖрд╣े. рд╕ाрдзाрд░рдг резреорепреж рддे резрепрежрел рдпा рдХाрд│ाрддрд▓्рдпा рдоुंрдмрдИрдЪं рдпाрдд рд╣ोрдгाрд░ं рджрд░्рд╢рди рд╡िрд▓ोрднрдиीрдп рдЖрд╣े. рддрдд्рдХाрд▓ीрди рд░ाрдЬрдХीрдп рд╕ंрджрд░्рдн, рд╕ाрдоाрдЬिрдХ рдкрд░िрд╕्рдеिрддी рдпांрдЪं рдиेрдкрде्рдп рдЕрдЪूрдХ рдЖрд╣े. рд▓ोрдХрдоाрди्рдп рдЯिрд│рдХ, рджाрджाрд╕ाрд╣ेрдм рдлाрд│рдХे, рд╕рдпाрдЬीрд░ाрд╡ рдпांрдЪ्рдпाрд╕ाрд░рдЦ्рдпा рд╕рдордХाрд▓ीрди рд╡्рдпрдХ्рддिрдордд्рдд्рд╡ांрдЪी рдЙрдкрд╕्рдеिрддीрд╣ी рдЖрд╡рд╢्рдпрдХ, рд╕ूрдЪрдХ рдЖрдгि рд╕ुрдЦрдж рдЖрд╣े. рдХाँрдЧ्рд░ेрд╕рдЪ्рдпा рдПрдХा рд╕рдоाрд░ंрднाрдд рд▓ोрдХрдоाрди्рдп рдЯिрд│рдХ рднाрд╖рдг рдХрд░ीрдд рдЕрд╕рддाрдиा, рд░рд╡िрд╡рд░्рдоा 'рдЯाрдЗрдо्рд╕ рдСрдл рдЗंрдбिрдпा'рдЪ्рдпा рдл्рд░ेрдиी рдпा рдкрдд्рд░рдХाрд░ाрд╢ी 'рдЖँрдЦрдоिрдЪौрд▓ी' рдХрд░рддाрдд рд╣ा рдк्рд░рд╕ंрдЧ рдХिंрд╡ा рдоुंрдмрдИрддीрд▓ рдХॉрд░ोрдиेрд╢рди рдеिрдПрдЯрд░рдордз्рдпे рд▓्рдпुрдоिрдП рдмंрдзूंрдиी резреорепрем рдордз्рдпे рджाрдЦрд╡рд▓ेрд▓ी 'рджी рдЕрд░ाрдпрд╡्рд╣рд▓ рдСрдл рдЯ्рд░ेрди' рд╣ा рдЬрдЧाрддрд▓ी рдкрд╣िрд▓ी рд╣рд▓рддी рдЪिрдд्рд░ं рдЖрдгि рдд्рдпाрд▓ा рд░рд╡िрд╡рд░्рдоा рд╡ рдлाрд│рдХेंрдЪी рдЙрдкрд╕्рдеिрддी рдХिंрд╡ा рдХोрд░्рдЯाрддीрд▓ рд╕рд░्рд╡рдЪ рдк्рд░рд╕ंрдЧ рдоेрд╣рддांрдЪ्рдпा рдХрд▓्рдкрдХ рджिрдЧ्рджрд░्рд╢рдиाрдЪी рд╕ाрдХ्рд╖ рджेрддाрдд.

рдЕрд░्рдеाрдд 'рдХрд▓ाрдХाрд░ рд░рд╡िрд╡рд░्рдоा' рджाрдЦрд╡рддाрдиा рдоेрд╣рддा рдЦрд░े рдЦुрд▓рд▓े рдЖрд╣ेрдд рдЖрдгि рддोрдЪ рдпा рд╕िрдиेрдоाрдЪा рдЧाрднा рдЖрд╣े. рд╕ुрд░ुрд╡ाрддीрд▓ा рдкрдд्рдиीрдЪ्рдпा рдШрд░ाрддीрд▓ рдХाрдоिрдиी рд╣ी рдЕрд╕्рдкृрд╢्рдп рдиोрдХрд░ рд╕्рдд्рд░ी рдЖрдгि рдиंрддрд░ рдоुंрдмрдИрдд рд╕ुрдЧंрдзा рд╣ी рд╡ेрд╢्рдпा рдпा рджोрдШी рд░рд╡िрд╡рд░्рдоांрдЪ्рдпा рдоॉ़рдбेрд▓ рдмрдирд▓्рдпा. рдпा рджोрдШींрдЪी рдЪिрдд्рд░ं рд░рд╡िрд╡рд░्рдоा рдХाрдврдд рдЕрд╕рддाрдиाрдЪे рд╕рд░्рд╡рдЪ्рдпा рд╕рд░्рд╡ рдк्рд░рд╕ंрдЧ рдЕрдлрд▓ाрддूрди рдЭाрд▓े рдЖрд╣ेрдд рдЖрдгि рдд्рдпाрд╕ाрдаी рдоेрд╣рддांрдЪ्рдпा рд╕ौंрджрд░्рдпрджृрд╖्рдЯीрд▓ा рд╕рд▓ाрдо рдХेрд▓ा рдкाрд╣िрдЬे. рд╡िрд╢ेрд╖рддः рд╕ुрдЧंрдзाрд▓ा рд╕рд░рд╕्рд╡рддी рдо्рд╣рдгूрди рдоॉрдбेрд▓ рдХрд░рддाрдиा рд░рд╡िрд╡рд░्рдоा рддिрдЪी рдордиोрднाрд╡े рдкूрдЬा рдХрд░рддाрдд рддो рдк्рд░рд╕ंрдЧ рдЖрдгि рдиंрддрд░ рдЙрд░्рд╡рд╢ी-рдкुрд░ुрд░рд╡ाрдЪी рдЧोрд╖्рдЯ рд╕ांрдЧूрди рд╣े рдЪिрдд्рд░ рдХाрдврдг्рдпाрд╕ाрдаी рдорд▓ा рдХोрдг рдоॉрдбेрд▓ рдоिрд│рдгाрд░, рдЕрд╕ं рд░рд╡िрд╡рд░्рдоांрдиी рд╡िрдЪाрд░рд▓्рдпाрдиंрддрд░ рд╕ुрдЧंрдзाрдЪं рдЕрдиाрд╡ृрдд рд╣ोрдКрди рдд्рдпांрдЪ्рдпाрд╕рдоोрд░ рдЙрднं рд░ाрд╣рдгं рдЖрдгि рд╣े рдЪिрдд्рд░ рдкूрд░्рдг рдЭाрд▓्рдпाрд╡рд░ рджोрдШांрдЪंрд╣ी рдЕрдиाрд╡ृрдд рд╣ोрдКрди рдПрдХрдоेрдХांрдд рд░ंрдЧ рд╣ोрдКрди рдоिрд╕рд│ूрди рдЬाрдгं рд╣े рдХेрддрди рдоेрд╣рддांрдиी рдЬ्рдпा рдкрдж्рдзрддीрдиं рджाрдЦрд╡рд▓ं рдЖрд╣े, рддे рдХेрд╡рд│ рдЕрдк्рд░рддिрдо. (рдпाрдд рдХुрдгाрд▓ा рдЕрд╢्рд▓ीрд▓рддा рджिрд╕рд▓्рдпाрд╕ рддो рджोрд╖ рдоेрд╣рддांрдЪा рдирд╡्рд╣े; рдкाрд╣рдгाрд▒्рдпाрдЪ्рдпा рдирдЬрд░ेрдЪा рдЕрд╕ेрд▓. рдХाрд░рдг 'рдиंрджрдиा рд╕ेрди рд╣िрдиं 'рд░ंрдЧрд░рд╕िрдпा'рдд рдХрд╕рд▓ा рдЯॉрдкрд▓ेрд╕ рд╢ॉрдЯ рджिрд▓ा рдЖрд╣े,' рдЕрд╢ीрдЪ рдпाрдЪी рдЖрдкрд▓्рдпाрдХрдбं рдЪрд░्рдЪा рд╣ोрдгाрд░, рдпाрдЪी рдорд▓ा рдЦाрдд्рд░ी рдЖрд╣े. рдЬ्рдпा рджिрд╡рд╢ी рд╕рдорд╕्рддांрдЪ्рдпा рдбोрд│्рдпांрдиा рдд्рдпाрдкрд▓ीрдХрдбрдЪी рдХрд▓ा рджिрд╕ेрд▓, рдд्рдпा рджिрд╡рд╢ी рд░рд╡िрд╡рд░्рдоांрдкाрд╕ूрди рдЕрдиेрдХांрдЪी рдкिрддрд░ं рд╕्рд╡рд░्рдЧाрдд рдЬाрддीрд▓. рдЕрд╕ो.)

рд░рдгрджीрдк рд╣ुрдбा рдпाрдиं рд░рд╡िрд╡рд░्рдоांрдЪ्рдпा рднूрдоिрдХेрдд рдЭोрдХूрди рджेрдКрди рдХाрдо рдХेрд▓ं рдЖрд╣े. рдХुрдард▓ीрд╣ी рд╕ुंрджрд░ рдЧोрд╖्рдЯ рдкाрд╣िрд▓ी, рдХी рдПрдХा рдЪिрдд्рд░рдХाрд░ाрдЪ्рдпा рдбोрд│्рдпांрдд рддी рд▓рдЧेрдЪ рдХाрдЧрджाрд╡рд░ рдЙрддрд░рд╡िрдг्рдпाрд╡िрд╖рдпीрдЪी рдПрдХ рдЪрдордХ рджिрд╕рддे, рддी рд░рдгрджीрдкрдиं рдд्рдпाрдЪ्рдпा рдбोрд│्рдпांрддूрди рдлाрд░ рд╕ुंрджрд░ рд╡्рдпрдХ्рдд рдХेрд▓ी рдЖрд╣े. рд░рд╡िрд╡рд░्рдоा рд╕ंрдкूрд░्рдг рджेрд╢рднрд░ рдлिрд░рддाрдд, рддेрд╡्рд╣ा рдд्рдпा-рдд्рдпा рдаिрдХाрдгрдЪे рд╣ोрдКрди рд░ाрд╣рддाрдд. рдоेрд╣рддांрдиी рдПрдХा рдЧाрдг्рдпाрддूрди рд╣ा рд╕рд░्рд╡ рдк्рд░рд╡ाрд╕ рджाрдЦрд╡рд▓ा рдЖрд╣े. рдд्рдпाрдд рд╡ाрд░ाрдгрд╕ीрдд рдЧंрдЧेрдЪ्рдпा рдШाрдЯाрд╡рд░ рдПрдХा рд╕ाрдзूрдмрд░ोрдмрд░ рдЧांрдЬा рдУрдвूрди рдзुंрджीрдд рдиाрдЪрддाрдиाрдЪं рджृрд╢्рдп рд░рдгрджीрдкрдиं рдорд╕्рдд рджिрд▓ंрдп. рд╢ेрд╡рдЯрдЪा рдХोрд░्рдЯाрддрд▓ा рдк्рд░рд╕ंрдЧ рдЖрдгि рдд्рдпा рд╡ेрд│рдЪं рд░рд╡िрд╡рд░्рдоांрдЪं рднाрд╖рдг рд╣ा рдпा рд╕िрдиेрдоाрдЪा рдПрдХ рдЙрдд्рдХрд░्рд╖рдмिंрджू рдЖрд╣े. рдд्рдпा рд╡ेрд│ीрд╣ी рд░рдгрджीрдкрдЪा рдЕрднिрдирдп рдкाрд╣рдг्рдпाрд╕ाрд░рдЦा рдЖрд╣े. рддे рднाрд╖рдг рддрд░ рдоुрд│ाрддрдЪ рдРрдХрдг्рдпाрд╕ाрд░рдЦं рдЖрд╣े. рдд्рдпाрдЪ्рдпा рдХाрд░рдХिрд░्рджीрддीрд▓ рд╣ी рдорд╣рдд्рдд्рд╡ाрдЪी рднूрдоिрдХा рдард░ाрд╡ी. рдбॉ. рдЕрдорд░्рдд्рдп рд╕ेрди рдпांрдЪी рдХрди्рдпा рдиंрджрдиा рд╕ेрди рд╣िрдиं рд╕ुрдЧंрдзाрдЪी рднूрдоिрдХा рдлाрд░рдЪ рд╕ुंрджрд░ рд╕ाрдХाрд░рд▓ी рдЖрд╣े. рд╕्рдд्рд░ीрдЪी рдХрд▓ाрдХाрд░ाрдХрдбं рдкाрд╣рдг्рдпाрдЪी рдПрдХ рд╡ेрдЧрд│ी рджृрд╖्рдЯी рддिрдЪं рдкाрдд्рд░ рдк्рд░ेрдХ्рд╖рдХांрдиा рджेрддं. рдиंрджрдиाрдЪं рд╡ेрдЧрд│्рдпा рдк्рд░рддीрдЪं рд╕ौंрджрд░्рдп рд░рд╡िрд╡рд░्рдо्рдпाрдк्рд░рдоाрдгंрдЪ рдоेрд╣рддांрдЪ्рдпा рдХॅрдоेрд▒्рдпाрдиंрд╣ी рдЭрдХाрд╕ рдЯिрдкрд▓ंрдп. рдл्рд░ेрдиीрдЪ्рдпा рднूрдоिрдХेрдд рдлेрд░ेрдиा рд╡рдЬीрд░ рдЦूрдк рд╕ुंрджрд░ рджिрд╕рд▓ीрдп. рдмाрдХी рд░рд╡िрд╡рд░्рдоांрдЪे рдмिрдЭрдиेрд╕ рдкाрд░्рдЯрдирд░ рдЕрд╕рд▓ेрд▓्рдпा рдЧोрд╡рд░्рдзрди рджाрд╕рдЪ्рдпा рднूрдоिрдХेрдд рдкрд░ेрд╢ рд░ाрд╡рд▓, рдзрд░्рдордоाрд░्рддंрдб рдЪिंрддाрдордгी рдорд╣ाрд░ाрдЬांрдЪ्рдпा рднूрдоिрдХेрдд рджрд░्рд╢рди рдЬрд░ीрд╡ाрд▓ा, рд╡рдХिрд▓ाрдЪ्рдпा рднूрдоिрдХेрдд рд╡िрдХ्рд░рдо рдЧोрдЦрд▓े рдЖрджींрдиीрд╣ी рдЖрдкाрдкрд▓्рдпा рдХाрдоे рдиेрд╣рдоीрдк्рд░рдоाрдгेрдЪ рдЫाрди рдХेрд▓ीрдпрдд. рд╕ंрджेрд╢ рд╢ांрдбिрд▓्рдп рдпांрдЪं рд╕ंрдЧीрддрд╣ी рдпा рдХрд▓ाрдХृрддीрд▓ा рдкूрд░рдХ рдЕрд╕ंрдЪ рдЖрд╣े. рдеोрдбрдХ्рдпाрдд, рдпा рд░ंрдЧांрдд рд╣рд░рд╡ूрди рдЬा. рдЪिрдд्рд░рдХрд▓ेрд╡िрд╖рдпी рдЖрдгि рдПрдХूрдгрдЪ рдХрд▓ेрд╡िрд╖рдпी рдПрдХ рд╡ेрдЧрд│ं рднाрди рдЖрдкрд▓्рдпाрдд рдпेрдК рд╢рдХेрд▓.

Movie: Movie: Vitti Dandu Director: Ganesh Kadam Producer: Leena Deore

Genre: Patriotic, Adventure, Drama Music: Santosh Mulekar Cast: Dilip Prabhavalkar, Ravindra Mankani, Yatin Karyekar, Ashok Samarth, Mrunal Thakur, Nishant Bhavsar, Gowhar Khan, Shubhankar Atre, Radhika Deore



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 рд╡िрдЯी рджांрдбू рд╣ा рдЕрд╕्рд╕рд▓ рдорд░ाрдаी рдоाрддीрддрд▓ा рдЦेрд│. рд╢рд╣рд░ांрдордзूрди рддрд░ рдЖрддा рддो рдЬрд╡рд│рдкाрд╕ рд╕ंрдкрд▓्рдпाрдд рдЬрдоा рдЖрд╣े. рдХाрд░рдг рддो рдЦेрд│ाрдпрд▓ा рдЬाрдЧाрдЪ рдЙрд░рд▓ेрд▓ी рдиाрд╣ीрдп рд╣े рдПрдХ. рдЖрдгि рджुрд╕рд░ं рдЖрдЬрдЪ्рдпा рдоुрд▓ांрдиी рдШрд░ी рдмрд╕рд▓ेрд▓ं рдкाрд▓рдХांрдиा рдЪाрд▓рддं. рдкрдг рдкрдбूрди, рдЦрд░рдЪрдЯूрди рдЪाрд▓рдд рдиाрд╣ी. рдЕрд╕ो. 'рд╡िрдЯी..'рдордз्рдпे рд╕्рд╡ाрддंрдд्рд░्рдпрдкूрд░्рд╡ рдХाрд│ाрдд рдШрдбрд▓ेрд▓ी рдПрдХ рдиेрдЯрдХी рдЧोрд╖्рдЯ рдЖрд╣े, рдЖрдЬोрдмा рдЖрдгि рдиाрддрд╡ाрдЪी. рд╕्рд╡ाрддंрдд्рд░्рдпрдкूрд░्рд╡ीрдЪा рдХाрд│ рдЕрд╕рд▓्рдпाрдиे рдпाрдд рдЗंрдЧ्рд░рдЬ рдЖрд╣ेрдд. рдХ्рд░ांрддीрдХाрд░рдХ рдЖрд╣ेрдд. рдЗंрдЧ्рд░рдЬ, рдХ्рд░ांрддीрдХाрд░рдХ, рд╡िрдЯी рджांрдбू рдЦेрд│рдг्рдпाрдд рдиिрд╖्рдгाрдд рдЕрд╕рд▓ेрд▓ा рдиाрддू.. рд╣े рд╕рдЧрд│ं рд╡ाрдЪрддाрдиा рд╣ा рд╕िрдиेрдоा 'рд▓рдЧाрди'рдЪी рд╡ाрдЯ рдзрд░рддोрдп рдХी рдХाрдп рдЕрд╕ं рд╡ाрдЯेрд▓ рдПрдЦाрдж्рдпाрд▓ा. рдкрдг рддрд╕ं рдиाрд╣ी. рдпा рд╕िрдиेрдоाрдЪी рдЧोрд╖्рдЯ рд╡ेрдЧрд│ी рдЖрд╣े. рдЗंрдЯрд░ेрд╕्рдЯिंрдЧ рдмाрдм рдо्рд╣рдгрдЬे рд╣ी рдкрдЯрдХрдеा рджोрди рдХाрд│ांрдордзूрди рдЬाрддे. рдПрдХ рдХाрд│ рдЖрдд्рддाрдЪा рдЖрдгि рдПрдХ резрепрекрен рдЪा. рдЕрд░्рдеाрдд, рд╣ी рдЧुंрдлрдг рдмेрдоाрд▓ूрдо рдиाрд╣ी. рдкрдг рдЦрдЯрдХрддрд╣ी рдиाрд╣ी. рджुрд╕рд░ी рдЧोрд╖्рдЯ рдпाрдд рдЦेрд│ рдЖрд╣े. рдЙрдд्рдХंрдаा рдЖрд╣े. рдкрдг рджोрди рдЧрдЯांрдордз्рдпे рд░ंрдЧрдгाрд░ा рд╕ाрдордиा рдиाрд╣ी. рдЗрдеे рд╡рд│рдг рдШेрдд рдЬाрдгाрд░ी.. рдХुрддूрд╣рд▓ рд╡ाрдврд╡рдгाрд░ी рдХрдеा рдЖрд╣े. рдЖрдЬрдЪ्рдпा рдкिрдвीрд▓ा 'рдШрдбрд╡рдгाрд▒्рдпा' рдкाрд▓рдХांрдиा рдЪिрдордЯे рдЖрд╣ेрдд. рдЖрд╢рдпрдкूрд░्рдг рд╕ंрд╡ाрдж рдЖрд╣ेрдд. рдпा рд╕рд░्рд╡ांрдЪी рдиीрдЯ рднрдЯ्рдЯी рдЬрдорд▓्рдпाрдоुрд│े рд╣ा 'рд╡िрдЯी рджांрдбू'рдЪा рдЦेрд│ рд░ंрдЧрд▓ा рдЖрд╣े.

рд╕िрдиेрдоाрдЪी рдЧोрд╖्рдЯ рдЫोрдЯी рдЖрд╣े. рдо्рд╣рдгрдЬे, рдПрдХा рдЧाрд╡ाрдд рдЧोрд╡िंрдж рдЖрдгि рдд्рдпाрдЪे рдЖрдЬोрдмा рд░рд╣ाрддाрдпंрдд. рд╣े рдЖрдЬोрдмा рдЗंрдЧ्рд░рдЬांрдЪे рдХрдЯ्рдЯрд░ рдкाрдаीрд░ाрдЦे рдЖрд╣ेрдд. рдиाрддрд╡ाрд▓ाрд╣ी рддрд╢ीрдЪ рд╢िрдХрд╡рдг рддे рджेрддाрдпंрдд. рдмाрдХी рдд्рдпांрдЪा рдХрд╕рд▓ाрд╣ी рдЙрдкрдж्рд░рд╡ рдиाрд╣ी. рд▓рд╣ाрдирдЧा рдЧोрд╡िंрджрд╣ी рдЖрдиंрджी рдЖрд╣े. рджिрд╡рд╕рднрд░ рдоिрдд्рд░ांрд╕ोрдмрдд рд╡िрдЯी рджांрдбू рдЦेрд│рдд рдЙрдиाрдбрдХ्рдпा рдХрд░рдд рдлिрд░рдгं рд╣ा рдд्рдпाрдЪा рдЙрдж्рдпोрдЧ. рдкрдг рдпा рдЦेрд│ाрдд рддो рддрд░рдмेрдЬ рдЖрд╣े. рд╕рдЧрд│ं рдиिрд╡ांрдд рд╕ुрд░ू рдЖрд╣े. рддрд░ рдЕрд╕ा рд╣ा рдЦेрд│ рдЦेрд│рддाрдиा рдЧोрд╡िंрджाрдиे рдЯोрд▓рд╡рд▓ेрд▓ी рд╡िрдЯी рдЕрдкрдШाрддाрдиे рддिрдеे рдЖрд▓ेрд▓्рдпा рдЕрдд्рдпंрдд рдХ्рд░ूрд░ рдЗंрдЧ्рд░рдЬ рдЕрдзिрдХाрд▒्рдпाрд▓ा рд▓ाрдЧрддे. рдд्рдпाрдиंрддрд░ рд╣े рдк्рд░рдХрд░рдг рдкेрдЯрддं. рд╡ेрдЧрд│ं рд╡рд│рдг рдШेрддं.рдпाрдЪी рдкрдЯрдХрдеा ​рд▓िрд╣िрддाрдиा рдпाрдд рдХрдеेрд▓ा рдЖрд╡рд╢्рдпрдХ рдЕрдиेрдХ рдЧोрд╖्рдЯी рдеोрдб्рдпा рд╡ेрдЧрд│्рдпा, рдоुрдж्рджाрдо рд╕рдоाрд╡िрд╖्рдЯ рдХрд░рдг्рдпाрдд рдЖрд▓्рдпाрдд. рдо्рд╣рдгूрди рдпा рдЧोрд╖्рдЯीрддрд▓ं рдЧाрд╡ рдЗрддрд░ рдЧाрд╡ांрдкेрдХ्рд╖ा рд▓ांрдм рджाрдЦрд╡рдг्рдпाрдд рдЖрд▓ंрдп. рдо्рд╣рдгрдЬे рджेрд╢ाрддрд▓्рдпा рдШрдбाрдоोрдбी рдпा рдЧाрд╡ाрддрд▓्рдпा рд▓ोрдХांрдкрд░्рдпंрдд рдпेрдг्рдпाрд╕ рдЖрдард╡рдбा рдЬाрддो. рдд्рдпाрдоुрд│े рдпा рдЧाрд╡ाрдд рджрд│рдгрд╡рд│рдг рдиाрд╣ी. рдЕрдиोрд│рдЦी рд▓ोрдХांрдЪा рд░ाрдмрддा рдиाрд╣ी. рдо्рд╣рдгूрди рдиिрд╡рдбрд▓ेрд▓्рдпा рдЧाрд╡ाрддрд▓्рдпा рд╡рд╕्рддीрднрд╡рддी рд╣ी рдЧोрд╖्рдЯ рдлिрд░рд╡рдг्рдпाрдд ​рдкрдЯрдХрдеाрд▓ेрдЦрдХाрд▓ा рдпрд╢ рдЖрд▓ं рдЖрд╣े. рдмрд░ं, рддे рдЧाрд╡ рдлाрд░рд╣ी рд▓рд╣ाрди рдиाрд╣ी. рдо्рд╣рдгрдЬे рдЗंрдЧ्рд░рдЬांрдиी рддिрдеे рдЖрдкрд▓ी рдПрдХ рдХुрдордХ рддैрдиाрдд рдаेрд╡рд▓ी рдЖрд╣े. рдЗंрдЧ्рд░рдЬ рдЕрдзिрдХाрд▒्рдпाрд▓ा рд╢िрдХ्рд╖ेрдЪी 'рдмрджрд▓ी' рдо्рд╣рдгूрди рдкाрдард╡рд▓ं рдЬाрдгाрд░ं, рдЕрд╕ं рд╣े рдЧाрд╡ рдЖрд╣े. рджेрдКрд│, рддрд│ं, рдбोंрдЧрд░, рд╕рдоुрдж्рд░ рдЕрд╕ं рдиिрд╕рд░्рдЧाрдЪं рджेрдгं рднрд░рднрд░ूрди рджिрд▓ेрд▓ं рд╣े рдЧाрд╡ рдЙрднं рдХрд░рдг्рдпाрдд ​рдХрд▓ाрджिрдЧ्рджрд░्рд╢рдХाрдЪंрд╣ी рдХौрд╢рд▓्рдп рдкрдгाрд▓ा рд▓ाрдЧрд▓ं рдЖрд╣े. рдпा рд╕рдЧрд│्рдпा рдСрдмрдЬेрдХ्рдЯ्рд╕рдоुрд│े рд╕िрдиेрдоा рд╣िрд░рд╡ाрдЧाрд░ рдЖрдгि рддिрддрдХाрдЪ рджेрдЦрдгा рдЭाрд▓ा рдЖрд╣े.
 

рд╕ंрд╡ाрдж, рдЫाрдпांрдХрди рдпा рд╕рдЧрд│्рдпा рдЧोрд╖्рдЯी рд╕िрдиेрдоाрд▓ा ​рдд्рдпाрдЪ्рдпा рдЗрдк्рд╕िрддाрдкрд░्рдпंрдд рдиेрддाрдд рд╣े рдЦрд░ंрдЪ. рдкрдг рдпाрддрд▓ी рдПрдХ рдиोंрдж рдШेрдг्рдпाрд╕ाрд░рдЦी рдЧोрд╖्рдЯ рдо्рд╣рдгрдЬे, рдпाрддрд▓्рдпा рдЦेрд│ाрд▓ा рдд्рдпाрдиे рд▓ाрд░्рдЬрд░ рджॅрди рд▓ाрдЗрдл рдмрдирд╡рдг्рдпाрдЪा рдк्рд░рдпрдд्рди рдХेрд▓ाрдп. рдЧोрд╖्рдЯीрддрд▓्рдпा рдЕрдиेрдХ рдЯрдк्рдк्рдпांрд╡рд░ 'рд╡िрдЯी-рджांрдбू' рдЖрдкрд▓्рдпाрд▓ा рднेрдЯрддाрдд. рдк्рд░рдд्рдпेрдХрд╡ेрд│ी рдЦेрд│ рдо्рд╣рдгूрди рдирд╡्рд╣े. рдХрдзी рддी рдЖрдЬोрдмांрдиा рдж्рдпाрдпрдЪं рдкрдд्рд░ рд╣ोрддे. рддрд░ рдХрдзी рд╢рд╕्рдд्рд░. рдо्рд╣рдгрдЬे рдк्рд░ॉрдк рдШेрдКрди рдиाрдЪрддाрдиा рддो рдирд░्рддрдХ рддिрдЪा рд╡ेрдЧрд╡ेрдЧрд│ा рдЙрдкрдпोрдЧ рдЬрд╕ा рдХрд░рддो, рддрд╕ा рддрд╢ी рд╣ी рд╡िрдЯी рджांрдбू рдЖрдкрд▓्рдпाрд▓ा рднेрдЯрддाрдд. рдпाрддрд▓े рдЧोрд╡िंрджाрдиे рдоाрд░рд▓ेрд▓्рдпा рдЯोрд▓्рдпांрдЪं рдЫाрдпांрдХрди рдиीрдЯрд╕ рдЭाрд▓्рдпाрдоुрд│े рдд्рдпाрддрд▓ा рдЬोрд░ рд╡ाрдврддो. рд╢िрд╡ाрдп рдпाрддрд▓ी рдкрдЯрдХрдеा рдЖрдЬ рдЖрдгि рдХाрд▓рдордз्рдпे рдлिрд░рддी рдаेрд╡рд▓्рдпाрдиे рд╣ी рдЧोрд╖्рдЯ 'рдоोрдиोрдЯोрдирд╕' рд╣ोрдд рдиाрд╣ी.

рдЫाрдпांрдХрди рд╕рддрдд рдлिрд░рддं рд░ाрд╣िрд▓्рдпाрдоुрд│े рдпाрддрд▓्рдпा рдЧोрд╖्рдЯीрдЪी рд▓рдп рдХाрд╣ीрд╢ी рд╕ंрде рдЕрд╕рд▓ी, рддрд░ी рддी рд╡ेрдЧрд╡ाрди рднाрд╕рддे. рдлрдХ्рдд рдЕрдзेрдордзे рдпाрддрд▓ी рдкрдЯрдХрдеा рд░ेंрдЧाрд│рддे. рдмрд▒्рдпाрдЪрджा рдпाрддрд▓्рдпा рдЧाрдг्рдпांрдоुрд│ेрд╣ी рддрд╕ं рд╣ोрддं. рдЬрдоेрдЪी рдмाрдм рдЕрд╢ी рдХी рд╣ी рд╕рдЧрд│ी рдЧाрдгी рдЯрд╡рдЯрд╡ीрдд рдЭाрд▓ीрдд. рдо्рд╣рдгूрди рдкрдЯрдХрдеेрдд рдЖрд▓ेрд▓ी рдорд░рдЧрд│ рдкुрдвे рдЭрдЯрдХрд▓ी рдЬाрддे. рдкाрд░्рд╢्рд╡рд╕ंрдЧीрддрд╣ी рд▓рдХ्рд╖ाрдд рд░ाрд╣рдгाрд░ं. рдпाрддрд▓्рдпा рд╕ंрд╡ाрджांрдордзूрдирд╣ी рдордЬा рдпेрддे. рдЖрдЬोрдмा рдиाрддрд╡ाрд▓ा рд╕рдордЬाрд╡рддाрдиा 'рд░ाрдЬ्рдп рдХुрдгाрдЪंрд╣ी рдЕрд╕рд▓ं рддрд░ी рдЧुрд▓ाрдордЧिрд░ी рдЪुрдХрд▓ीрдп рдХा?' рдЕрд╕ं рд╡िрдЪाрд░рддाрдд рдд्рдпाрд╡ेрд│ी рддो рд╕िрдиेрдоा рдЖрдЬрдЪ्рдпा рдХाрд│ाрд╢ी рдиाрддं рд╕ांрдЧрддो. рджाрдЬी рдпांрдиी рдЗंрдЧ्рд░рдЬांрдЪी рдкाрдард░ाрдЦрдг рдХрд░рддाрдиा рджिрд▓ेрд▓्рдпा рдХाрд░рдгांрдиा рд▓ॉрдЬिрдХ рдЖрд╣े. рддрд░ рджुрд╕рд░ीрдХрдбे рдЖрдЬрдЪ्рдпा рдХाрд│ाрддрд▓े рдЖрдЬोрдмा рдиाрддрд╡ाрд▓ा рдЧाрд╡рд░ाрди рдоाрддी, рдЦेрд│, рдирджी рдпांрдЪं рдорд╣рдд्рдд्рд╡ рд╕ांрдЧू рд▓ाрдЧрддाрдд рдд्рдпाрд╡ेрд│ी рдЖрдкрд▓्рдпा рд╣ाрддाрддूрди рдиिрд╕рдЯрдгाрд░ं рдХाрд╣ी рд╕рдоोрд░ рдпेрддं. рдЕрд╢ा рдЕрдиेрдХ рд╕ंрд╡ाрджांрдордзूрди рддो рд╕िрдиेрдоा рдк्рд░ेрдХ्рд╖рдХाрд╢ी 'рдХрдиेрдХ्рдЯ' рд╣ोрддो.

рд╕рд░्рд╡рдЪ рдХрд▓ाрдХाрд░ांрдиी рджिрдЧ्рджрд░्рд╢рдХाрд▓ा рд╕ाрде рджिрд▓ी рдЖрд╣े. рджिрд▓ीрдк рдк्рд░рднाрд╡рд│рдХрд░ рдпांрдиी рджाрдЬी рдЙрдд्рддрдо рд░ंрдЧрд╡рд▓ा рдЖрд╣े. рдд्рдпांрдиा рдЧोрд╡िंрджाрдЪी рднूрдоिрдХा рд╕ाрдХाрд░рдгाрд▒्рдпा рдиिрд╢ांрдд рднाрд╡рд╕ाрд░ рдпा рдмाрд▓рдХрд▓ाрдХाрд░ाрдиेрд╣ी рдЪांрдЧрд▓ी рд╕ाрде рджिрд▓ीрдп. рддो рдЖрдд्рдорд╡िрд╢्рд╡ाрд╕ाрдиे рд╡ाрд╡рд░рд▓ा рдЖрд╣े. рдпांрд╕рд╣ рдЕрд╢ोрдХ рд╕рдорд░्рде, рдпрддीрди рдХाрд░्рдпेрдХрд░, рдоृрдгाрд▓ рдаाрдХूрд░, рд░рд╡ींрдж्рд░ рдоंрдХрдгी, рд╢ुрднंрдХрд░ рдЕрдд्рд░े рдЖрджी рд╕рд░्рд╡ांрдиीрдЪ рдиेрдЯрдХी рдХाрдоं рдХेрд▓ीрдд.

рдПрдХुрдгाрдд, рд╣िंрджी-рджाрдХ्рд╖िрдгाрдд्рдпा рд╕िрдиेрдоांрдЪी рдн्рд░рд╖्рдЯ рдирдХ्рдХрд▓ рдХрд░рдг्рдпाрдкेрдХ्рд╖ा рдорд░ाрдаी рд╕िрдиेрдоाрдиे рдЖрдкрд▓ं рд╡ेрдЧрд│ं рд╕्рдеाрди рдиिрд░्рдоाрдг рдХрд░ाрдпрд▓ा рд╣рд╡ं рдЕрд╕ं рдмрд▒्рдпाрдЪрджा рдмोрд▓рд▓ं рдЬाрддं. рдЧрдгेрд╢ рдХрджрдо рджिрдЧ्рджрд░्рд╢िрдд 'рд╡िрдЯी рджांрдбू' рд╣ा рд╕िрдиेрдоा рдЖрдкрд▓्рдпा рдиाрд╡ाрдкाрд╕ूрдирдЪ рдд्рдпाрдЪं рдорд░ाрдаीрдкрдг рдЕрдзोрд░ेрдЦिрдд рдХрд░рддो. рд╣ां, рдЕрдзेрдордзे рддो рдХिंрдЪिрдд рд░ेंрдЧाрд│рд▓ेрд▓ा рд╡ाрдЯрддो, рдкрдг рдЪрд▓рддा рд╣ै. рдирд╡्рдпा рджिрдЧ्рджрд░्рд╢рдХाрдЪा рд╣ा рдкрд╣िрд▓ा рдмॉрд▓ рдЖрд╣े. рдд्рдпाрдиे рддो рдЙрдд्рддрдо рдЯोрд▓рд╡рд▓ाрдп.
рдорд╣ाрд░ाрд╖्рдЯ्рд░ाрдд рдЕрд╕ूрдирд╣ी рдХाрд╣ी рдЕंрддрд░ाрд╡рд░ рдЕрд╕рд▓ेрд▓्рдпा рдПрдХा рдЫोрдЯ्рдпा рдЧाрд╡ाрдд рд╣ी рдЧोрд╖्рдЯ рдШрдбрддे. рдЧोрд╡िंрдж рдЖрдкрд▓े рдЖрдЬोрдмा рджाрдЬी рдпांрдЪ्рдпाрд╕рд╣ рд░ाрд╣ाрддोрдп. рджाрдЬी рд╣े рдЗंрдЧ्рд░рдЬांрдЪे рдкрдХ्рдХे рдкाрдаीрд░ाрдЦे. рджाрдЬींрдЪा рдоुрд▓рдЧा рдЖрдгि рд╕ूрди рдХ्рд░ांрддीрдХाрд░ी. рдЧोрд▒्рдпांрд╢ी рд▓рдврддाрдиा рдд्рдпांрдиा рд╣ौрддाрдд्рдо्рдп рдЖрд▓ंрдп. рдЧोрд╡िंрджाрд▓ा рджाрдЬींрдЪ्рдпा рдкрджрд░ाрдд рдЯाрдХूрди рддे рдиिрдШूрди рдЧेрд▓ेрдд. рдЗрдХрдбे рдЧोрд╡िंрджाрд╡рд░ рджाрдЬी рдЗंрдЧ्рд░рдЬांрдЪी рд╢िрдХрд╡рдг рдард╕рд╡рддाрдпрдд. рдЧोрд╡िंрджा рд╡िрдЯी рджांрдбू рдЦेрд│рдг्рдпाрдд рдиिрд╖्рдгाрдд рдЖрд╣े.

рдПрдХрджा рд╡िрдЯी рджांрдбू рдЦेрд│рддा рдЦेрд│рддा рдЧोрд╡िंрджाрдиे рдоाрд░рд▓ेрд▓ी рд╡िрдЯी рддिрдеे рддैрдиाрддीрдд рдЕрд╕рд▓ेрд▓्рдпा рдЗंрдЧ्рд░рдЬ рдЕрдзिрдХाрд░ी рдЦौрдлрдирд░рд▓ा рд▓ाрдЧрддे. рд╣рд▓рдХрд▓्рд▓ोрд│ рдЙрдбрддो. рдЪौрдХрд╢ीрд▓ा рджाрдЬी рдЖрдгि рдЧोрд╡िंрджाрд▓ा рдмोрд▓ाрд╡рд▓ं рдЬाрддं. рджाрдЬींрд╡рд░ рд╕ांрд╢рдп рдШेрдКрди рдд्рдпांрдиा рддुрд░ुंрдЧाрдд рдбांрдмрд▓ं рдЬाрддं. рдпा рд╣рдд्рдпेрдмрдж्рджрд▓ рдд्рдпांрдиा рдлाрд╢ीрдЪी рд╢िрдХ्рд╖ा рд╣ोрддे. рдкрдг рдЧाрд╡рдХрд░ी рдПрдХ рд╣ोрддाрдд. рдпा рдлाрд╢ीрд╡िрд░ोрдзाрдд рдЗंрдЧ्рд░рдЬांрдЪा рдиिрд╖ेрдз рд╣ोрддो. рддрд░ीрд╣ी рдЗंрдЧ्рд░рдЬ рдРрдХрдд рдиाрд╣ीрдд. рдЦौрдлрдирд░ рдЬिрдеे рдЧेрд▓ा рддिрдеेрдЪ рджाрдЬींрдиा рдлाрд╢ी рдж्рдпाрдпрдЪा рдиिрд░्рдгрдп рд╣ोрддो. рдлाрд╢ीрдЪा рджिрд╡рд╕ рдЕрд╕рддो, резрен рдСрдЧрд╕्рдЯ резрепрекрен. рднाрд░рддाрд▓ा рд╕्рд╡ाрддंрдд्рд░्рдп рдоिрд│ूрди рддीрди рджिрд╡рд╕ рд╣ोрдКрдирд╣ी рдпा рдЧाрд╡ाрд▓ा рдкрдд्рддा рдирд╕рддो. рдкрдг рдлाрд╢ी рджेрдгाрд░ рддोрдЪ рддрд╕ा рдиिрд░ोрдк рдпेрддो. рддрд░ीрд╣ी рдЗंрдЧ्рд░рдЬ рдЕрдзिрдХाрд░ी рдлाрд╢ीрд╡рд░ рдХाрдпрдо рдЕрд╕рддाрдд. рдЕрдЦेрд░ рдЧोрд╡िंрджा рдЖрдкрд▓्рдпा рд╡िрдЯी рджांрдбूрдиे рдЗंрдЧ्рд░рдЬ рдЕрдзिрдХाрд▒्рдпांрдЪा рдоाрдЬ рдЙрддрд░рд╡рддो.
 
рд╡ाрдЪा рдЖрдгि рд╕ांрдЧा, рдпा рд╕िрдиेрдоाрд╡िрд╖рдпीрдЪ्рдпा рдЧрдорддी-рдЬрдорддीрддрд░рдЪ рд╡ाрдЪा
рез. рд╡ेрдЧрд╡ेрдЧрд│्рдпा рдаिрдХाрдгрдЪी рддрдм्рдмрд▓ ренреж рд▓ोрдХेрд╢рди्рд╕ рдПрдХрдд्рд░ рдХрд░ूрди рдпा рд╕िрдиेрдоाрддрд▓ं рдЧाрд╡ рдиिрд░्рдоाрдг рдХрд░рдг्рдпाрдд рдЖрд▓ं рдЖрд╣े.
реи. рдпाрддрд▓ं рдЕрдЧрдбрдХ рдмрдЧрдбрдХ.. рд╣े рдЧाрдгं рдо्рд╣рдгрдд рд▓рд╣ाрди рдоुрд▓ं рдЧाрд╡рднрд░ рдлिрд░рддाрдд рдЕрд╕ा рд╕िрдХ्рд╡ेрди्рд╕ рдЕрд╕рд▓्рдпाрдиे рд╣े рдЧाрдгं рд╢ूрдЯрдЪ्рдпा рдк्рд░рдд्рдпेрдХ рджिрд╡рд╢ी рдк्рд░рдд्рдпेрдХ рд▓ोрдХेрд╢рдирд╡рд░ рд╢ूрдЯ рдЭाрд▓ंрдп.
рей. рдпा рд╕िрдиेрдоाрдд рдЕрд╢ोрдХ рд╕рдорд░्рде рд╣ा рддрдЧрдбा рдЕрднिрдиेрддा рдХ्рд░ांрддीрдХाрд░рдХाрдЪ्рдпा рднूрдоिрдХेрдд рдЕрд╕рд▓ा, рддрд░ी рдкрд╣िрд▓्рдпांрджाрдЪ рдд्рдпाрдиे рдпाрдд рд╕ाрдбी рдкрд░िрдзाрди рдХेрд▓ी рдЖрд╣े.
рел. рдЕрдЬрдп рджेрд╡рдЧрдг рдпा рд╣िंрджी рдЕрднिрдиेрдд्рдпाрдиे рдпा рд╕िрдиेрдоाрдж्рд╡ाрд░े рдиिрд░्рдоाрддा рдо्рд╣рдгूрди рдорд░ाрдаीрдд рдкрджाрд░्рдкрдг рдХेрд▓ं рдЖрд╣े.

Synopsis: It is a story about the triumph of the love for the country over attachments for a loved one. This story is about the relationship between grandfather and his grandson.

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Shubhankar Atre, Saahil Malge And Arya Bhargude



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Mamachya Gavala Jauya
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Mamachya Gavala Jauya
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Mamachya Gavala Jauya
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Mamachya Gavala Jauya
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Mamachya Gavala Jauya
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Mamachya Gavala Jauya

Shubhankar Atre, Saahil Malge And Arya Bhargude Dance Performance-Pramotional Song Launch-'Mamachya…

Shubhankar Atre, Saahil Malge And Arya Bhargude Dance Performance- Pramotional Song Launch 'Mamachya Gavala Jauya'-Upcoming Marathi Movie. Watch Superb Dance Performance Of Shubhankar Atre, Saahil Malge And Arya Bhargude On Their Upcoming Movie Mamachya Gavala Jauya.


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рдХрд▓ाрдХाрд░ : рдЕрднिрдЬिрдд рдЦांрдбрдХेрдХрд░, рдоृрдг्рдордпी рджेрд╢рдкांрдбे, рд╢ुрднंрдХрд░ рдЕрдд्рд░े, рд╕ाрд╣िрд▓ рдоाрд▓рдЧे, рдЖрд░्рдпा рднрд░рдЧुрдбे

Shubhankar Atre, Saahil Malge And Arya Bhargude
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Friday, November 21, 2014

HOT ON follo - I`m outrageously sexy


Sophie Choudry is pretty and talented and can dance up a storm as she proved recently on a dance reality show. She shares her fitness and fashion fundas with us. 
 
Why is a gorgeous and talented lady like you still single?I ask myself this every day . My friends say I'm too picky. I think I'm a diehard romantic. People equate me with a sexy , glamorous image, but my values are very much the opposite. Whoever has come into my life has treated me like a princess. So, I'm a little bit spoilt. I want that. I don't think relationships should be frivolous. But I haven't found the right guy . I think love should happen in a big way . I want to find the one and not many .

Who is your kind of man?
It's not about Greek God looks for me. I want somebody who is intelligent, witty , well-travelled and classy . There's no ideal man. It's basi cally about being with somebody who you can be still with and also go wild with, somebody who doesn't try to change me too much. That's really important because girls these days are independent and you need some body who's not threatened by it.

What is a deal breaker for you in a relationship?
Cheating, for sure. I think every relationship is built on trust and once the trust is gone, it's hard to rebuild that. One thing I can't bear is lies.

You have done a lot of item songs.What's your take on them?
People think I have done more item songs than I actually have. I love item songs, I have no issues with them. I have been offered a few ,but I didn't like the lyrics, so I didn't do them. I am not trying to be moralistic about it. I like to believe that I'm somebody who carries herself with grace and dignity even if I am outrageously sexy . I don't think I have ever done anything vulgar and cheap.

You have a massive following on social networking sites. Any crazy fan experience?
The fun things have been marriage proposals, which are cute and funny . And then, there are not-sofun things, the odd haters and the ones who think using bad language will give them attention. Fortunately, there's a block button. By and large, 99% of the people who follow me are positive and supportive. The amount of response I got dur ing Jhalak Dikhhla Jaa was tremendous. It was because of the response on social net working sites that they actual ly called me back to perform at the finale.

Any fashion tips you'd like to give your fans?
I genuinely love dressing up.
In London and Paris, people are always fashionably dressed. But Mumbai has a special jhalla culture. One thing you need to remember is to be true to yourself. Fashion is fun, but always be comfort able in what you are wearing.

What you wear is an extension of your mood and how you want people to perceive you. 

Don't dress up for other people, dress up for yourself.

What is the secret behind your toned figure?
I do pilates. I train with Yasmin Karachiwala, who's the secret behind Kareena, Deepika and Alia. I have bad knees, two slip discs, but I'm quite determined and strong. I believe in consistency . I'm a Punjabi and I have a huge sweet tooth and can't diet. But I have everything in moderation and that's the secret. Dancing everyday for six weeks helped me get a better body .

Any message for your follo'ers?
Thank you so much for all the love and support that you have given over the years. I hope to continue to work and win your hearts and do better work. Stay positive, stay happy , that's the only way to live life.

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