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Friday, November 14, 2014

11:07 PM

IT'S ONLY THE LYRICS THAT MAKE A SONG SUFI

IT'S ONLY THE LYRICS THAT MAKE A SONG SUFI


Harshdeep Kaur, whose Uff (Bang Bang) is creating a splash, talks about Sufi singing and reviving Punjabi folk 
 
How did Uff happen?I've sung for Vishal and Shekher before. I guess they chose me for this song because my voice suited it. I enjoyed the experience. Uff is not in my typical style but they told me what they wanted before we started recording. I've sung the same number in Tamil and Telugu as well.

Mostly, composers prefer certain hours of the day or night to work and record songs.Does that affect the singers' output?
It depends on each individual. If we have to record a song in the morning, we need to clean our throats because otherwise, our voice will sound sleepy. My voice is in perfect shape in the evenings. Also, I can't sing on an empty stomach. But at the end of the day, if the song is interesting, singers don't mind what time of the day it is.

Do composers instruct or give you a brief before recording?
Not all. AR Rahman sir talks very less. So, when I was asked to sing Heer (Jab Tak Hai Jaan), I had to dig out details from him. When he told me the situation, I visualised how a Punjabi girl brought up in London would strum the guitar and sing for her father. There will be a certain sophistication in her voice. For Katiya Karoon (Rockstar), I had to sound extremely funny. I gave several variations to Rahman sir, but he told me I was sounding very sweet. So, I actually made faces while singing this number, though I was a little conscious doing it in front of him!

How did you get inclined towards music?
Music has been an integral part of my life. My dad had formed a band with his friends and would play the guitar. Later, he started a factory that manufactured musical instruments. He told me if I was serious about music, he would train me professionally. So, I learnt Hindustani classical from Tejpal Singhji and western music from my English teacher. My sister, Simran, plays the sitar and she would also teach me.

Was playback singing always on your mind?
Yes, I didn't even think of any alternative plan.My father took a huge risk by leaving his business in Delhi and shifting to Mumbai for my sake. My mom would get the numbers of studios and composers from the music directory to get an appointment. My dad and I would visit them and drop a demo CD. Even the composers were generous enough to give us time. Of course, hard work and a little bit of luck are also needed to get a break in the industry.

How did you develop an interest in Sufi?
I was always inclined towards Nusrat Fateh Ali Khan and Reshma's music. In competitions, while others would choose Lataji's songs, I couldn't because her voice was high-pitched. I would always sing Shubha Mudgal, Reshma and Jagjit Singh's songs. And as luck would have it, they were all Sufi with a folk touch.Gradually, I learnt the meaning of those songs and started enjoying Sufi more.

But many claim Sufi is not a style of music...
Yes, a style of music cannot be Sufi. It's only the lyrics that make a song Sufi. The lyrics are usually about the almighty, seeing your beloved in the almighty or the almighty in your beloved. It's about spreading love.
Which composers have you enjoyed working with?
Everyone! Pritamda is humble, Amit Trivedi has his own style of working, Vishal-Shekhar are energetic and AR Rahman is very encouraging.

What are you presently working on?
The film 31st October, for which I recorded Rab De Bande, is going to film festivals abroad soon.It's a nice song, mostly philosophical. I've also sung for composer D Imman for a Tamil film. I'm simultaneously working on my dream project -reviving Punjabi folk music. I will be collaborating with new artists whose style is very different from mine. Folk numbers are rich in tune and composition, and I want the audience to be exposed to them. The plan as of now is to release at least one video a month.




Thursday, November 6, 2014

9:59 PM

Warn citizens of online fraud: HC to cell service providers

Warn citizens of online fraud: HC to cell service providers



Expressing concern over increasing online lottery fraud, the Bombay high court on Wednesday directed all mobile service providers to issue messages cautioning citizens against falling for such messages and emails. The court also directed the Maharashtra government to conduct a thorough investigation with the help of the cyber crime department and even Interpol, if needed, to “ensure that such type of cyber crimes do not take place again“. The state was also asked to create awareness, including by putting out advertisements, “asking citizens to be cautious of such messages and emails“.
Among its public welfare directions was one for banks too; they have been asked to ensure that Know Your Customer guidelines are followed.
“It is common knowledge that such messages and emails are received by a number of people,“ said a division bench of Justices V M Kanade and Anuja Prabhudessai.
The court was hearing a plea by Nashik farmer Namdeo Warade, 47, for an order for the Central Bureau of Investigation (CBI) to probe how he was cheated of Rs 29 lakh. On September 15, 2010 , Warade received a message on his phone saying he had won $5 lakh at a purported Coca-Cola competition held in London and asked to contact an email address.
He wrote right away , seeking further details. The same day , he got a reply saying “this promotion is the financial empowerment programme of Coca-Cola in its struggle to alleviate poverty among society“. He was told his prize had been deposited in a UK bank and would be transferred to the Reserve Bank of India.
Warade was instructed to open an account with online operations to facilitate release of the money .Then, using either the RBI as an excuse or on some pretext or the other, he was asked to pay up. On January 1, 2011, he was asked to pay more money . The reason: somebody else had put a claim on the prize.
After he paid up, the phones of the fraudsters he was talking to were unreachable and his emails went unanswered. His petition said he collected the money they had sought by selling his house and his wife's jewellery , and borrowing from relatives and even from the market at high interest. His total loss was “over Rs 45-50 lakh“, Warade said.
The public prosecutor said one person has been arrested after local police investigated the case, but 15 others are absconding. The judges issued the directions for creating more awareness and for a crackdown on such fraud, but told Warade that since the chargesheet in his case has been filed, transfer of the probe to the CBI was not possible.




Monday, November 3, 2014

11:17 PM

growing trend of celebrities sporting necklines

Headturners who love peek-a-boo necklines



We take a look at the growing trend of celebrities sporting necklines that dare to bare without showing too much

















11:14 PM

Bollywood has a low divorce rate

Bollywood has a low divorce rate


Despite all the stories of promiscuity; the innumerable romances and the fly-by-night affairs, Bollywood doesn't necessarily subscribe to the `D' word
Taking stock of B-Town's divorces post media reports of Hrithik Roshan and Sussanne Khan's divorce that came through over this weekend, you will notice that the rate of divorces in Tinseltown is far less than what it would ideally seem from the outside world. Raj Kapoor was enamoured with Nargis, and Dev Anand was infatuated with Zeenat Aman; enough to make it seem like both these evergreen superstars would end their marriages. However, when it came to the crunch, neither did.
Marks must be given to their spouses Krishna Kapoor and Kalpana Kartik (Mona Anand) for maintaining the home and hearth of these men whose high-profile link-ups did rock the boat to a degree. But in the end, it was the `sanctity' of marriage that won.
Raj Kapoor's oldest-born Randhir's own marriage hit rockbottom a decade and a half after he married Babita in 1971. In fact, this one was a bit of a shock because Dabboo actually wooed Babita for years before tying the knot. And it did seem like their match was made in heaven.However, after Kareena's birth in September 1980, this couple saw little happiness.
But the strange bit is that even after 40 years, this couple only remains estranged not divorced.As Randhir has often said, “Babita and I didn't divorce because neither of us had plans to remarry .Whatever I have today belongs to her and my two daughters -Karisma and Kareena. Since there is no inclination to marry or sire children, I never felt the need to get officially divorced.“ His daughter Karisma Kapoor, who ruled the roost in the 90s, though, ended her decade long marriage with businessman husband Sanjay Kapur and is today locked in a custody battle with him.
Two other celebrity couples -Gulzar and Raakhee as well as Rajesh Khanna and Dimple, who married in 1973, also separated from their spouses. But, in both cases, there was no divorce talk because none of them showed signs of wanting to marry again.
STARS WHO DIVORCED
Vinod Khanna and Geetanjali Taleyarkhan: (married in 1971, divorced in 1985)
Aamir Khan and Reena Datta: (married on April 18, 1986, divorced in December 2002)
Saif Ali Khan and Amrita Singh: (married in October 1991, divorced in 2004)
Karisma Kapoor and Sanjay Kapur: (married on September 29, 2003, divorced in June 2014)
Hrithik Roshan and Sussanne Khan: (married on December 20, 2000, divorced on November 1, 2014)
In fact, Dimple stayed put by her terminally-ill husband's side in the last phase of his life; and Gulzar sahab and Raakhee bond frequently over fish curry even today.They are both crazy about daughter Meghna and their grandson Samay. Their own marriage certificate may have gathered dust; but their friendship can still warm the cockles of your heart.
It can be rightly said that just like in our mainstream cinema, most inhabitants of Bollywood too subscribe to the “we-wishto-stay-with-one-another till death do us part.“ Unless the compulsions of a second marriage beckon, superstars in incompatible situations would rather let their relationships stay dormant than seek the divorce route.
In fact, one of the most high-profile divorces that sent shockwaves in the Hindi film industry was that of MP-politician Vinod Khanna who divorced his first wife Geetanjali Taleyarkhan (mother of Akshaye and Rahul Khanna) in 1985.Mithun Chakraborty's divorce from Helena Luke when he was in 20s went unnoticed.
And then the paparazzi went berserk when Aamir Khan and his childhood sweetheart Reena Datta ended their 15year-odd marriage in 2002. Of course, both parties ensured it was done in a very dignified fashion. And today , Aamir and Reena share a healthy relationship as they continue to co-parent their children Junaid and Ira.
Saif Ali Khan who married Amrita Singh, almost a decade his senior, divorced her in 2004. Here again, full marks to Amrita who didn't attempt to wash dirty linen in public and instead concentrated on giving full attention to her children Sarah and Ibrahim.
And if the latest from insiders is to be believed; Hrithik and Sussanne will always remain civil for the sake of their children around whom their world revolves.

STARS WHO SEPARATED
Rakhee and Gulzar (married on May 15, 1973, separated in 1975)
Rakesh Khanna and Dimple Kapadia (married in March 1973, separated in 1984)
Randhir Kapoor and Babita (married on November 6, 1971, separated in 1987)
Hrithik Roshan and Sussanne Khan: (married on December 20, 2000, divorced on November 1, 2014)


Karisma Kapoor and Sanjay Kapur: (married on September 29, 2003, divorced in June 2014)


Aamir Khan and Reena Datta: (married on April 18, 1986, divorced in December 2002)


Saif Ali Khan and Amrita Singh: (married in October 1991, divorced in 2004)


Vinod Khanna and Geetanjali Taleyarkhan: (married in 1971, divorced in 1985)


Rakhee and Gulzar (married on May 15, 1973, separated in 1975)


Rajesh Khanna and Dimple Kapadia (married in March 1973, separated in 1984)


Randhir Kapoor and Babita (married on November 6, 1971, separated in 1987)

11:07 PM

Nandana Sen - ALL MY BIG DECISIONS IN LIFE MADE SENSE TO NO ONE BUT ME

ALL MY BIG DECISIONS IN LIFE MADE SENSE TO NO ONE BUT ME 
 


Nandana Sen is the daughter of Nobel laureate and Bharat Ratna Amartya Sen and Padma Shri Bengali writer Nabaneeta Dev Sen. Her parents separated when she was very young, but that has not deterred her from being close to the both of them, who she loves equally . She is honest, loyal, strong and thoughtful and claims to have never lost a friend in her life. She is confident and has strong opinions. She is proud of who she is and has lived life on her own terms.Coincidentally , India's first pin-up girl, she plays acclaimed painter Raja Ravi Varma's muse Sugandha in Ketan Mehta's upcoming biopic Rang Rasiya, where she took the bold decision to pose top nude for the artist.After break-up of her nineyear-old live-in relationship with Madhu Mantena, she moved to New York in the year 2012, where she met John Makinson, the Chairman and CEO of Penguin Publishing and subsequently got married to him in June 2013. Over a cup of coffee, she spoke to Bombay Times about her political awareness, her social consciousness and why Kolkata will always remain her favourite city .Excerpts: How did you come into films?
My formative years were spent in Calcutta, so even though I have lived most of my life in other places, I absolutely feel that that is where I am from. I was always a geek, very nerdy and always had a book surgically attached to my hands, but I loved films right from when I was young, even though I never thought I would be an actor. I did think that I would be a film writer and was so drawn to the power of cinema and its influence on shaping the way people think and act that I went to USC film school after graduating from Harvard. While studying, I got accidentally cast by Goutam Ghose in Gudia. I wanted to assist him, but was shocked when he said he wanted to cast me as his lead.He said, `I will let you assist me if you agree to be my lead heroine.' And I made my film debut.I had always been a very cerebral introverted person. I had a tendency to over-intellectualise things. I very much lived in my brain and head and suddenly , as an actor, I had to really connect with my instinct and look at myself and my emotions. I could not hide behind my brain and that was both exciting and difficult. Gudia went to Cannes and did very well and I started getting work in the US and in Canada. But I always wanted to come back to India, as I had left before I had grown up and wanted to live and work here as an adult. So I decided to move to India and got my first role as Rani Mukerji's younger sister in Black.
Your parents are both academicians. Did they support your decision to become an actor?
My family has always been cautiously supportive and I completely understand their worries and their frustrations, as I was always an excellent student so everybody assumed that I would be an academician. I was always a topper all four years at Harvard in Literature and writing and had gotten into the Ph.D programme I wanted and yet, I chucked that for a film career.They were still okay when I decided to go to film school, as they could see me becoming a writer and director, but when I decided to be an actor, they were surprised and worried as I literally showed up in Mumbai with a backpack not knowing any one here. Of course, now they are extremely supportive and proud of my work and visit festivals around the world with me. But all the big decisions that I have made in my life often did not make sense to anyone else, but to me. But I am glad that they have never proved me wrong. I have lived in multiple continents, had multiple careers, have decided to change things around at moments where everything in my life seemed to be extremely comfortable.

Talk about your relationship with your parents?
I am really attached to the both of them and am close to them in different ways. My dad is more rational and my mom more emotional. So, sometimes, if I don't want to upset my mom but I want to discuss something, I will go to my dad, and sometimes if I am emotionally affected by something that has happened to me where I know that my dad might not think it to be a big deal, I would go to my mom as she would understand it. That said, I spoke about doing Rang Rasiya to both of them exhaustively , as I wanted their advice separately , both, for my and their sake. I wanted to know how they would feel and wanted to talk to them about how they thought it would affect my life. They were extremely supportive and gave me a lot of strength and are today very proud of the film.They are both extremely liberal, politically conscious and socially aware. They are both a part of the world of thinking and while I look like my mum and am independent, I really think I am my parents' daughter. I am very close to my family and friends and care about what they think.

What do your parents like the most about you?
What my mum says she likes most about me is my kindness and emotional generosity , while my dad has always really enjoyed my intellectual side, my writing and the arguments we have.
So were you the reason for his writing the book `The Argumentative Indian'?
I think that was brewing in his mind way before I came on the scene, but that said, all of us in the family are ambassadors of his book.

What made you do Rang Rasiya?
It was not an easy decision at all. But I think it was destined in a way . Firstly, Ketan Mehta and I were to work together even earlier in Mangal Pandey, but I was tied up at that time.Also I have always been fascinated by Raja Ravi Varma's work from when I was young.One of the reasons I have loved Ketan's work, be it Mirch Masala or Maya Memsaab is because his films are about women power and of giving equal rights to women. And this film in particular, makes such a powerful statement of how vulnerable women are in society and yet how incredibly strong they can be. Also for the fact that the film stands for democratisation of Gods, for equal rights for men and women, how critical it is for us to protect freedom of expression and about religious intolerance. All this drew me to the film. So my decision to do the film was as much an artistic decision, as it was a political one. Why would I pass on the chance to play Sugandha, an archetypal Indian woman who was also a trendsetter of her time?

Was the nudity in Rang Rasiya scary for you or your parents?
Much as I wanted to do the film, it was not an easy decision for me. I had to let it sit with me and imagine what it would be like to see myself on screen and I did ask myself that and asked all the people I cared about -my parents, my boyfriend with whom I was living at that time (Madhu Mantena, who is still my best friend). It was important for me to know how they would feel. But by the time I decided to do the film, I had managed to conquer my feelings about it and Ketan was extremely sensitive about all my trepidations and made me very comfortable.I feel strongly about women's bodies getting objectified on screen and so, the key question we asked ourselves many times was whether or not nudity was essential to the film. And it was. And while it was a big deal, my body is as much a part of my humanity as much as my brain, as my heart, as my morals and I would never feel ashamed to express it with the dignity it deserves.

Would you ever come into politics?
No, as I think I would be a terrible politician. But I have always been a very political person and all my films more often than not have a political and social conscience. Be it The War Within that is about international terrorism or The World Unseen about apartheid or even a Bollywood film like Tango Charlie that was about crossborder violence and how women are always victims of war, Black about children's disabilities or Rang Rasiya that is about censorship or freedom of expression. I feel that as citizens of the world we cannot distance ourselves from what is disturb ing around us and so what hap pens around me affects me deeply and that is also one of the reasons that I am drawn to cinema, due to its transforma tive powers and its ability to be able to make us look at the world differently . One of the first disagreements I had with my parents was me wanting to go to America to study and not to Oxford or Cambridge. And the reason I chose US was that this was the first adult decision I was making and I didn't want to choose a country that had colonised us for 200 years. It was as simple as that for me. I have always been wired like that.

What attracted you to your husband John?
He too is very nerdy and likes poetry just like me. While on the one hand, he is a serious per son, there is also a wonderful child like silliness about him, which leads him to write cute poems about me or making up stories when I can't fall asleep.
We have a really playful rela tionship. I love the fact that we never run out of things to say to each other and we have both embraced not only each other, but also each other's families with a lot of love. I think we are both similarly playful and romantic. We both communi cate with each other obsessively , as both of us have a need to do so. While I am quite tough with people I don't know, I am extremely vulnerable with peo ple that I am close to and can easily get walked all over by them.

Are you stubborn?
I am stubborn though I am not inflexible. That is one of the things that happens when you leave home when you are young, change continents and choose to change your life a number of times, when no one forced you to do that. My mum didn't even want me to leave Calcutta. She was happy for me to go to Presidency College, where both my parents had gone. But you become your own emotional anchor when you choose to make your own choic es. I have never been a victim of my circumstance. Everything that has happened to me is because I have made those choices.

Do you have a favourite city?
Kolkata and it will always remain my favourite city as my mother lives there.
11:04 PM

Shweta Prasad Basu who spent two months in a rescue home after her alleged involvement in a prostitution

Shweta breaks her silence
The actress, who is now back home with her family gives her version of the months following her arrest


Shweta Prasad Basu who spent two months in a rescue home after her alleged involvement in a prostitution racket is now out, and in her home in Mumbai. For the first time she breaks her silence on what happened that night and the 60 days that followed...

When did you get back home?
I came home on Friday. I’ve no complaints against anyone except the journalist who during my hour of crisis made up a statement attributed to me. That statement was circulated everywhere. I had no idea about it as I had no access to newspapers or websites for two months. It’s only now that I came to know of this.

You never made that statement that was picked up by every paper and website and television channel?
No, I never made that statement. I was in custody. I wasn’t allowed to speak to my mother and father, then how would I speak to the media? Whoever made up that statement damaged my reputation by saying that all doors were closed on me — no such thing has happened and the film industry has always been very warm and welcoming to me — and that “people encouraged me to get into prostitution to earn money.” These are outrageous lies that I never uttered.
We’re in the process of tracking down the journalist and the newspaper where these fake statements originated. We are taking very strong legal action against them. I need to set this falsification right before I move on.

What kind of a journalist would make up something?
We as a nation enjoy watching others suffer. We are sadistic people. I want to ask the journalist who made up this statement: how much do you know about me and my family? I have friends in the film industry. I am well-connected. I’ve been auditioning for roles even when this (the arrest) happened. I’ve spent three-and-half-years of my life making a documentary on Hindustani classical music. I turned down roles after my first Tamil film as a leading lady was a hit because I wanted to focus on my documentary. Now that it’s in post-production I want to concentrate on my acting. So, I want to know which doors were being closed? Such shallow emotions and vocabulary! Any sane person would have seen it’s made up. I can’t understand how it was used everywhere as my statement.

But a major section of the media supported you in a graceful way?
Yes, I came out largely unscathed. I am at home and back at work. I don’t wish to go too deep into what happened, as it is a legal matter. But I am completely unaffected by the entire episode. I now see how futile and unnecessary it was. I am glad to be alive and kicking and raring to go. Life looks beautiful and hopeful.

Any regrets?
The media should have waited for me to come out before making up its mind whether I was guilty or not. I should’ve been given the right to defend myself. When I was in there I was not allowed to watch television or read papers. It’s now when I come out that I see what a media circus my life was made into.

Why were you caught in this situation?
(Pauses, sighs and answers) I hadn’t been called to Hyderabad by any agent for commercial sex. I had gone to there to attend an awards ceremony. Call it fate or whatever, I missed my flight back in the morning. My air ticket and stay were done by the organisers of the awards function. I still have the ticket. I’ve been told that the agent has been arrested. The case is being investigated. I am a victim in the whole situation. There was a raid... I am not denying the incident. But the facts are not what they’ve been made out to be.

Were you questioned harshly by the police?
No, but when I was detained for interrogation the police asked me the names of Tollywood actresses (allegedly involved in prostitution rackets). I didn’t even know many of their names.Why should I make comments on other actresses? Shame on the people who said I was forced to do certain things by my family to afford a lifestyle.

Were you treated well after arrest?
Absolutely. I was at the rescue home. It is a hostel for kids who are victims of human trafficking, etc. I volunteered as a teacher there and taught the kids Hindi, English and Hindustani classical music. I used my two months in there very productively. I was not depressed at all. Why should I be? I knew the truth. While I was in there I realised how lucky I was to have a family to support me. My parents have always wanted me to pursue a dignified career. After I did Iqbal, my parents made me pursue my studies. I make documentaries. I attend film festivals. I don’t have time to sit at cafes taking selfies. I’ve dedicated my life to cinema and acting. I am not going to let one incident spoil my life.
How did your parents take all this?
While I was in the rescue home my grandfather passed away. That’s one loss I’ll have to live with all my life. I couldn’t even be at the last rituals. I’ll have to live with the guilt. Thanks to the reports in the media my grandfather went thinking I had actually made those awfully wrong statements. Then my mother was running in and out of courts with petition after petition. She was confused. I wasn’t even allowed to call her. Later, I was allowed one call a week when she’d only be crying and reassuring me.
You are a very strong girl.
I don’t think I have the luxury of being weak. Being strong is my only option. I’ve the truth on my side. And I have my parents and a lot of supportive friends.
Many filmmakers spoke up for you. Hansal Mehta wants to work with you?
I haven’t yet got a call from him. I’d like to audition for Hansal Mehta and get the role only if I am suitable for it. I don’t want a role out of sympathy. I don’t want people to think I am cashing in on the controversy.
Who would doubt your talents? You won a National award at 10!
People forget very easily. It’s only during tough times that you get to know who your friends are. There are many who turned their backs on my family. Many friends wouldn’t take my mother’s calls. If something had happened to my parents who would’ve taken responsibility? I am grateful to those who have supported us. As for those who didn’t support us, that’s life. It’s time to move on.
What plans now?
I am an actress. And I will always remain one. Right now, I have just returned to the post-production of my documentary on Hindustani classical music. Life has moved forward from exactly where I left off.