Central stage Theatre actor and director Naseeruddin Shah explains why he’s taken his plays to an oft-neglected central Mumbai

Central stage
Theatre actor and director Naseeruddin Shah explains why he’s taken his plays to an oft-neglected central Mumbai


He’s always known to have chosen the road not-so-oft taken and leaving an impactful trace at that. Theatre actor and director Naseeruddin Shah’s taken his most popular plays from popular spots to an unusual location this time with his Motley Festival 2012. That however hasn’t deterred his fans and audiences. Theatre lovers are thronging the centrally located Veer Sawarkar Smarak with gusto. And the festival that started on April 22, has been seeing packed houses. Shah of course couldn’t be more elated.
The reason, says the veteran actor, he wanted to stage plays in this part of the city is because its theatre scene doesn’t see much boost. “We had such an overwhelming response, it’s been wonderful to see the turnout. And if the number is anything to go by, a festival this side was much needed.” But is he sceptical about losing out on the town-side audience? “No, we’re not going to stop performing at Prithvi Theatre or NCPA. But both are becoming quite inaccessible. It’s tough to afford NCPA and get dates at Prithvi,” pauses Shah, before adding, “It’s great that Prithvi goes out of the way to encourage young theatre groups, but we needed these dates. And anyway, we’d been looking for an option for a while now. And this seemed the perfect choice; the location is perfect and the acoustics are good, so much so that we felt we were over-amplifying our voices. We don’t need microphones here.”
Also, the fact that the auditorium is accessible to theatre lovers from Dadar, Sion and Worli makes it an even better option. “I know people who want to come watch plays from these areas but never make it on time to the town-side theatres due to traffic, even for the 9’o clock shows. Veer Sawarkar is well looked after, has a co-operative management, isn’t too huge or small — is just right for our needs,” Shah explains.
The festival opened with Ismat Apa Ke Naam, a tribute to the renowned Urdu writer Ismat Chughtai, enacted by Shah himself, his wife Ratna Pathak and daughter Heeba. Other plays at the fest include Katha Collage, By George!, Arms and The Man, The Caine Mutiny Court Martial, and Waiting For Godot. Next on Shah’s list is A Walk in the Woods, a long due production, to be staged in Mumbai by mid-July, he informs.









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